Celeste and Jesse Forever is a fantastic little movie paused on a completely implausible concept: that you can remain best friends with the love of your life after a failed relationship. The movie was a difficult sell. While it hit with the critics (70% fresh on Rotten Tomatoes), it missed with audiences (just $3 million at the box office). The movie stars two of Hollywood’s funniest young actors (Andy Samberg – Saturday Night Live and Rashida Jones – NBC’s Parks and Recreation) who have worked so hard on the small screen that now they are household names. This both helped and hurt the movie. When we see each name, we think comedy, comedy, comedy. So when we see them in a movie like Celeste and Jesse Forever that has as much drama as it does comedy, we aren’t sure what to think.
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Chernobyl Diaries (2012)
Low-budget fright flicks have become a part of our culture since 1999’s Blair Witch Project. A good number of these the majority of the public has never heard of because the completed product goes straight to video. Another batch makes it to the big screen, some of which we convince ourselves to see (The Fog, Darkness, Feardotcom), and after 20 minutes, we wish it had gone straight to video and never heard of it. Then there is the small group of these movies you cannot just tolerate but come to enjoy for whatever reason. The best example is 2005’s The Descent, which saw a group of six 20-something females trapped in a cavern on a girls’ getaway weekend and hunted by a force that lives in the dark. This movie was an instant classic and still a top-five horror movie. Chernobyl Diaries is nowhere close to The Descent, but it still offers many of the same elements that made this movie successful. It offered a small group of no-name actors. It was set in a location where you could suspend your beliefs and start to believe that anything is possible. There are the slowly developing scenes where you know something bad is about to happen, and you are just sitting there wondering what that will be and when it will occur. Finally, it has a handful of jump-out-your-seat moments. For these reasons, I give Chernobyl Diaries a positive review and would encourage low-budget horror fans to check it out.
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The Campaign (2012)
Add The Campaign to the list of laugh-out-loud Will Ferrell (Old School, The Other Guys) movies. For as many misses as Will Ferrell has (like Case de mi padre, Land of the Lost, and Semi-Pro), he strikes gold just as often. He’s not the draw that he was at the height of his career (between 2003-2005), but he still can make me laugh as well as any other actor out there. At the same time, he plays roughly the same type of character in most of his movies. It doesn’t make him any less funny. He has gone overboard in some of his films (Blades of Glory, Anchorman), but when he lets the script come to him, he’s a lot of fun to watch on the screen.
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The Place Beyond the Pines (2013)
The Place Beyond the Pines is a place you do not need to visit anytime in the near future. Director Derek Cianfrance and Ryan Gosling (Drive, Half-Nelson) team up for the first time since the 2010 instant classic Blue Valentine. I can honestly say that they recaptured their magic for the first third of this movie, but ***spoiler alert***then Cianfrance went and killed off Gosling. After that, this movie tail-spun into the ground. The Place Beyond the Pines is told in three stories (all roughly 45-55 minutes). In this review, I’m going to spoil everything. So either you’ll stop reading now and see the movie on your own, or you’ll heed my advice and read this post instead of seeing this wreck of a film.
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Amour (2012)
Michael Haneke’s (Funny Games, Time of the Wolf) Amour might not be the most depressing movie of the year, but it is the most horrifying. The plot line could be “growing old with the one you love the most while facing life’s misery.” Instead, this movie is simply about the deterioration of a wife and what an elderly husband is able and willing to do to take care of her when she can no longer care for herself. A universal belief is that we all want to age gracefully and not impose on others. A universal truth, I know, is that this does not often happen. The idea that a husband and wife can fall in love in their 20s, live 60 years with minimal health issues, and then die in their sleep on the same night isn’t realistic, no matter how much we want it to be. In all likelihood, each spouse will rely on the help of their partner. In the end, one partner will most likely care for and make the decisions of the other. That’s what this movie shows us. And it shows us to it in an oh-so-brutal way.
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