Ben Affleck continues to prove that he is the closest person, past or present, with a chance (however slight) to unthrone Clint Eastwood as the greatest actor/director combo ever. It will take a herculean effort to unseat Eastwood’s five Oscar nominations for directing (wins for
Unforgiven and
Million Dollar Baby) to go along with over 35 other directing credits, as well as nearly 60 acting credits. Affleck, at just 50 years of age, very well could surpass Eastwood’s acting credits, but another 35 directing credits seems like a stretch. Air is Affleck’s fifth feature-length film. Three of his previous four (
Gone Baby Gone, The Town, Argo) have resonated strongly with critics and audiences, while his fourth (
Live By Night) wasn’t that far of a drop-off. What’s great about Affleck as a director is his drive and creativity. The staples of his directed movies are taut scripts, formidable, seasoned casts, and expert artisans (cinematographers, sound engineers, production designers) who he allows the freedom to shine.
Air delivers on all fronts. It’s a movie that would be difficult not to enjoy.
Continue reading Air (2023) →
2010 could live forever as the best year for movie releases in my lifetime. As I write this today (April 22, 2023), I, sadly but more confidently, feel like the years when we have two to three dozen quality movies are forever gone. With the advent of streaming television shows and series and an established vast array of cable programming, the cinematic single-viewing experience may be left to blockbuster-type movies. There have been no better examples than 2020, which I had discussed in previous reviews was the worst year of film in my lifetime, only for that argument to be surpassed by the 2021 cumulative list of below-average movies. 2021 is the first year when none of the Best Picture nominees will be in my end-of-year top ten list. Rewatching a film like The Social Network, despite receiving a 100% review, was just my fourth favorite movie of 2010. This would have been my favorite movie in many other years. Still, with The Town (my second favorite movie of all time) and the incredible Blue Valentine and Shutter Island, even a perfect film finished outside my top three.
About Time was a movie I watched for the first time a year after its 2013 release date. Despite 
The first major letdown of 2023 is, without a doubt, the Adam Driver-led (
Sad memories are the worst kind. Of all the memories, these are the ones that can flip the switch of a day at a moment’s notice. It could be the waft of a familiar fragrance once worn by a significant other who has since left your life. Or it might be a forgotten song that pops up on a playlist, instantly transporting you to the time and place you first heard it. Or perhaps it’s a photo, once a bookmark now wedged between a pair of books, that falls to the floor when reorganizing a room and evokes a memory you weren’t prepared to face on a particular day. If we could rid ourselves of our sad memories so that we no longer need to experience the pain associated with them, would we? Some of us would do this in a heartbeat, while others would never choose to do something so drastic. Most of us lie in between, and our resiliency to these emotional triggers places us somewhere along that spectrum. Michel Gondry’s (The Green Hornet, Be Kind Rewind) universally revered cult classic Eternal Sunshine of the Spotless Mind.