A sub-par movie with excellent performance best describes Bart Freundlich (Wolves) as slightly disappointing After the Wedding. It’s not that this movie was bad. It was just so far-fetched, yet it tried to take itself oh so seriously. When everything added together, it was hard to take this movie seriously, even when each of our leads did so without batting an eye. It should have been a movie I disliked because of its many flaws. Yet, as flawed as this movie was and how easy it is not to recommend, I still found myself thoroughly entertained and enjoying it.
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The Peanut Butter Falcon (2019)
Sometimes, movies have dumb names or names that are so obscure that you can’t even remember the title. This is the case with first-time directors Tyler Nilson and Michael Schwartz in the sentimental surprise summer hit The Peanut Butter Falcon. Starring protagonist Zak (newcomer Zack Gottsagen), whose screen chemistry with Shia LaBeouf (Man Down, Borg Vs. McEnroe) is instantaneous, the result is a sort of Tom Sawyer and Huckleberry Finn between two pals trekking and floating down the fictional marshland in North Carolina.
Once Upon a Time in Hollywood (2019)
Once Upon a Time in Hollywood is arguably my favorite Quentin Tarantino’s (Inglorious Bastards, Django Unchained) movie. However, that isn’t saying a lot since he is not one of my favorite directors out there. I admit that there is an audience for his movies. I’m just not a part of that audience. For me, his films are too often over the top, are loaded with extreme and unneeded violence, and contain the foulest language you’ll hear from a big-budget movie any year that one of his movies was released. Once Upon a Time in Hollywood was FAR different than his previous eight films. The story was not over the top. The cursing, while present, was used to accent a verbal exchange rather than serve as the root of it. And outside of a 10-15 minute sequence, there wasn’t any over-the-top violence. This movie was long and a bit boring, but it wasn’t bad. It also had excellent acting performances.
Crawl (2019)
In the tradition of other monster movies such as The Meg, Piranha 3D, Lake Placid, and Anaconda, where the beasts of nature wreak havoc on the community, comes Alexandre Aja’s (High Tension, The Hills Have Eyes) Crawl. This movie is a lot of fun. And by this, by no means am I suggesting it is perfect. It is far from perfect. However, it is a good escape film built around horror.
The Jacket (2005)
There is something inherently unique about John Maybury’s (Man to Man, The Edge of Love) that has me wanting to watch it every few years to see if I can pick up something more with it. I’m not sure I’ll ever truly have it figured out, and I’m wondering if it’s a movie meant to be figured out completely. I think Maybury wants you to draw your own conclusions about his film. Sometimes I love that. Sometimes it drives me mad. With The Jacket, I find it riveting because this is a small-budget movie with some big ideas and aspirations. While not a hit with audiences ($6.3 million) or critics (44% on Rotten Tomatoes), The Jacket is one of those movies I refer to as a hidden gem. You might not even know about it unless someone suggests it. This is me suggesting it.