Remember, hope is a good thing, maybe the best of things, and no good thing ever dies.
Wrongly accused of murdering his wife and her lover, Andy Dufresne (Tim Robbins – Jacobs Ladder, Mystic River), a young, successful vice president of a major bank, is sentenced to serve back-to-back life sentences in Shawshank State Penitentiary never gets too down in his circumstances, even though he will spend out his days behind bars. In contrast, his wife’s killer roams the streets free. The legendary fiction horror writer Steven King (The Shining, The Mist) introduced himself to a new kind of audience with this quiet and underrated (at its release) The Shawshank Redemption, a film that is nothing like Pet Semetary, IT, Cujo, Misery, Needful Things, Christine, Thinner, Carrie, Firestarter, Children of the Corn or a host of his other adapted horror novels adapted for film. The Shawshank Redemption is the complete opposite of a horror film. It is the crowning achievement of director Frank Darabont’s (The Green Mile, The Mist) career. This movie has been the highest-rated movie on the International Movie Database (IMDB) in the history of its website.
The crowning achievement of Robin Williams’ storied career is not the Mork and Mindy sitcom where he was first discovered. It’s not the numerous leading roles he has received recognition with, such as Best Lead Actor Academy Awards (Good Morning, Vietnam, The Fisher King, Dead Poets Society). It was not in the numerous timeless comedies we’ll watch for ages (Mrs. Doubtfire, The Birdcage, Jack, Robots, Night at the Smithsonian, Jumanji). It’s not for his creepingly effective turns in movies like Insomnia, One Hour Photo, The Night Listener, or heartwarming dramas such as Awakenings. Heck, it was not as the voice of The Genie in Aladdin. Instead, it is a community college professor who has not been able to move on from his life after losing his wife to cancer in Gus Van Sant’s (Milk, Drugstore Cowboy) surprise 1997 hit Good Will Hunting. Nevertheless, the film earned Williams the only Oscar of his career. And he’s not even the best part of this movie.
Set in 1961 England, Carey Mulligan’s (
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I think if you told someone that Saoirse Ronan (The Grand Budapest Hotel, The Lovely Bones), the actress who won audiences over with her innocent portrayal of a conflicted young Irish immigrant navigating her way through 1950s New York City in 2015’s fabulous