La La Land 2021? With 2021? With half a dozen different ways to start this review swirling through my head, I decided to best refer to La La Land, my favorite movie musical of all time. Because there is a new runner-up. While Joe Wright’s (Anna Karenina, Atonement) Cyrano doesn’t entirely leave that pit in your heart when it concludes, it comes pretty darn close. Both breathtakingly beautiful and painstakingly heartwrenching, Peter Dinklage (Three Billboards Outside of Ebbing, Missouri, I Care A Lot) is astounding as Cyrano de Bergerac, a role he was destined to play.
Category Archives: Academy Award Nominees
Don’t Look Up (2021)
Best Picture nominee? Don’t Look Up? Really? This movie had a wide release in December. It earned less than $1 million at the box office and was out of theaters in under 2 weeks. Its 56% “fresh” score on Rotten Tomatoes further suggests that this is different from a film the Academy of Motion Picture Arts & Sciences would deem one of its ten best films of 2021. Yet (sigh), here we are. The biggest tragedy might be that this isn’t a bad film but is being unfairly bashed for its association with the other nine movies up for Best Picture, arguably the worst collection of films for any year.
The Worst Person in the World (2021)
First things first. The Worst Person in the World is a terrible name for a movie, especially a slightly heavy drama that centers around the indecisiveness of a 30-year-old woman named Julie (Renate Reinsve) and those affected by her actions. The title of this movie suggested it would be some stupid comedy. It took 30 seconds of the trailer to realize that my initial perceptions were entirely wrong and that I had to see this film as quickly as possible. I ended up watching it the next day. It was a terrific decision. Ignore the movie’s dumb movie title. You should see this movie too.
Belfast (2021)
A coming-of-age story set in the middle of a civil war, Kenneth Branagh’s (Hamlet, Cinderella) Belfast tells the incredibly personal account of nine-year-old Buddy (newcomer Jude Hill) who, during the summer of 1969, witnesses the violent clash of his Protestant neighbors trying to eradicate his neighboring Catholic families in the middle of the streets of Belfast, Northern Ireland.
Nightmare Alley (2021)
When you win an Academy Award for Best Directing, you can do pretty much anything you want regarding creative control as a director. Guillermo del Toro (Pan’s Labyrinth, Crimson Peak) has elevated himself to the point where his constraints have been lifted. Following his Best Director Academy Award (The Shape of Water), del Toro could have picked whatever project he wanted to do next, and he would have had swarms of A-list actors lined up to work with him. Ironically, with Nightmare Alley, he went about as mainstream as he’s ever gone before. This is not to say this 2021 Best Picture nominee isn’t without its share of the bizarre.