
Apple TV+ continues its string of movies that should be better than they are with the Jennifer Lawrence-led (
mother!,
Silver Linings Playbook)
Causeway. Like many of its predecessors (
Swan Song, Palmer, Cherry, Greyhound, The Tragedy of Macbeth, Finch, On the Rocks), first-time director Lila Neugebauer’s
Causeway benefited from a successful marketing campaign, only to leave viewers to wonder what the original hype was about. However, I’d be remiss if I left off
CODA, the Best Picture winner of 2021. The streaming service has potential as a movie distributor but has laid its fair share of duds.
Causeway is no exception. It’s a mediocre movie at best.
Continue reading Causeway (2022) →
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