Though he was playing a man who was about 25 years younger than his actual age, I could not imagine an actor doing a better job portraying the Dutch Post-Impressionist painter Vincent Van Gogh than Willem Dafoe (Platoon, The Boondock Saints). It’s a performance that will net Dafoe his third Best Actor nomination (he also has a Best Supporting Nom for 2017’s The Florida Project), and it could be the one that nets him his first Oscar win. While I don’t think it will happen (and I don’t have a particular reason why in this year’s wide-open field), it will be a movie that many people might not otherwise be interested in a Van Gogh biopic. At Eternity’s Gate worked for me. I am often willing to give a biopic a chance unless I find many of the film’s portrayals fictionalized. Nothing upsets me more than a story claiming to be true that turns out to be anything but factual. Fortunately, that wasn’t the case with Julian Schnabel’s (The Diving Bell and the Butterfly, Lou Reed’s Berlin) stylistic character study of one of the most famous and mystifying artists ever. Filmed as artistically as Van Gogh lived his life, Schnabel exceeded the confines of a conventional biopic and created something that felt new and refreshing, regardless of the darkness in which Van Gogh lived.
Category Archives: Amira Casar
Call Me By Your Name (2017)
As the release of 2017 movies slowly (and mercifully) comes to an end, each review provides an opportunity to reflect deeper and deeper on the year that was. I’ve mentioned a few times in recent reviews that 2017 has, by far, been the worst year for movies since the inception of this blog back in 2010. Some movies may finish at the end of my year Top 5, but they wouldn’t even come close to finishing in my Top 10 in any other year. Unfortunately, for this review, Luca Guadagnino’s (A Bigger Splash, I Am Love) Call Me By Your Name did not benefit from a weak 2017. This movie has done very well with the critics and likely will earn multiple Oscar nominations, including for Best Picture, Best Actor (Timothée Chalamet – Lady Bird, Interstellar), Best Adapted Screenplay, as well as potential nominations for Best Supporting Actor (Armie Hammer – Nocturnal Animals, The Birth of a Nation) and Michael Stuhlbarg (The Shape of Water, Arrival), Best Original Song, and others, it still didn’t captivate me in the way I expected it to. For those expecting this to be the most excellent movie about gay love since Brokeback Mountain, you may be disappointed. Brokeback Mountain is an A+ movie. Guadagnino’s (A Bigger Splash, I Am Love) Call Me By Your Name is a B at best.