Based on Ian McEwan’s (Atonement) novella by the same name, director Dominic Cooke proves that just because you have flint and tinder doesn’t always mean that you can make fire with his memorable and poignant, yet sometimes underwhelming and often slow On Chesil Beach. Not only did Cooke have McEwan’s novel to work with, but the author wrote the screenplay himself. Now, I’m not a huge fan of comparing the book to the movie in my reviews (most of the time, as in the case of this one, it’s because I haven’t read the book), but I have read a couple of reviews that say that the movie did not do the book justice, that the final scenes of the film weren’t even in the book, and that even what McEwan’s main novel points were changed or not flushed out. But since I liked the movie, as did most critics and other moviegoers (68% and 94%, respectively, on Rotten Tomatoes), I’m willing to forget the omissions mentioned explicitly in the unfavorable reviews on Roger Ebert and Richard Roeper’s websites. Nevertheless, I felt a relatable component of this 1962 English set movie to 2018. The relatable component could be applicable in many specific situations in physically romantic relationships between two people.
Category Archives: Anne-Marie Duff
Suffragette (2015)
I’m not entirely sure how Sarah Gavron’s (Village At The End Of The World, Brick Lane) Suffragette could have been a film that I truly enjoyed. I’m not the biggest fan of British historical dramas, and this was not a movie I went to see for enjoyment. It was a film I went to see just because I always try to see every movie that potentially could receive a nomination for a Best Six Academy Award. I think it’s unlikely that this film will get any recognition, but there was some buzz surrounding it before its release. In any regard, I knew this would be a movie I would end up seeing. Is it a bad movie? Not at all. It’s actually a very educational movie that has some above-average acting performances. But, unfortunately, it was very predictable (which I expected) and not nearly as riveting as it probably could have been (also something that I expected). Also, if you are hoping to experience the annual Meryl Streep (Doubt, The Devil Wears Prada) Oscar nomination, this isn’t it. She has all of one scene and is on the screen for less than two minutes.
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