
The best thing that I can say about Lee Isaac Chung’s (
Minari, Munyurangabo)
Twisters is that it does very well at what it tries to do. In his first film since earning an Academy Award nomination for 2020’s
Minari, Chung takes on a film that couldn’t feel any more different.
Twisters is not a sequel or reboot to the commercially successful
Twister, which earned $495 million worldwide, or more than five times its budget of $92 million. The 1996 movie was one of the most-hyped and anticipated movies in years, with its trailers ahead of their time and two of the newest Hollywood A-listers in Helen Hunt and Bill Paxton. Despite its commercial success, it had p
oor Rotten Tomatoes critics (66%) and audience (58%) scores.
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