The best film adaptation of a Stephen King horror novel since the 1980s, The Shining, is not classics like Misery, Cujo, Pet Sematary, 1408, Christine, Firestarter, Thinner, or even IT (who seemingly everyone not named me seemed to love). Instead, it is the 2007 Frank Darabont’s (The Shawshank Redemption, The Green Mile) The Mist, a creepy dark tale that haunts your mind as much after its viewing as it does during it. King’s adaptations are either hit or miss, and all of the ones mentioned above (except for IT) are ones I enjoyed and would watch on multiple occasions. But there is both a plot and a suspense factor with The Mist that is like nothing I’ve seen before. I will also say that The Mist is the best Stephen King book I’ve ever read (granted, I’ve only read five or six), and it is one of the best adaptations of a film made from a book that I’ve read before (again, granted there had not been many of those). Recently, I started watching the Netflix show based on the book/movie. While not nearly as good as the book or the movie, Netflix did the show right. I don’t know if there was a need for the show, but I’m glad that they did it right since they went that route. Everything about The Mist is fantastic. I wish I could say the same about a movie like The Fog, one of the worst horror films I’ve ever seen. But I digress.
Category Archives: Marcia Gay Harden
Pollock (2000)
Ed Harris (The Abyss, The Hours) delivers the performance of his career in Pollock, the story of American artist Jackson Pollock, who revolutionized American painting in the 1940s in New York City. Harris, who also directed the movie, portrays Pollock as an emotionally and mentally unstable wreck of a human being whose personal demons were often overshadowed, or should I say overlooked, by his adept skill in abstract painting. His use of dripping and splattering wild combinations of colors was unique and new and captured the attention of some of America’s most notable artists, museum owners, and journalists.
Into The Wild (2007)
The Sean Penn (The Crossing Guard, The Pledge) directed Into the Wild had all the promise of a movie that could have lived in the lives of high school students around the country for years to come. The novel of the same name, penned by Jon Krakauer, is part of the high school curriculum in many school systems around the country. The movie is rated R. I’ve seen it twice. Had a couple of scenes been toned down, the movie could have easily garnered a PG-13 rating, thus allowing it to be viewed in English class after reading the book. I don’t know if Penn thought about this when making the movie and, if he did, if he even cared. It is, however, food for thought.