Category Archives: Margot Robbie

I, Tonya (2017)

Boy, do I have a completely different opinion of Tonya Harding after seeing Craig Gillespie’s (Lars and the Real Girl, The Finest HoursI, Tonya. The movie revolves around the 1994 Winter Olympics when her main competition for a gold medal that year (Nancy Kerrigan) had her knee taken out after a 1993 skating session in Detroit, MI, by someone on Harding’s payroll. Kerrigan’s recorded screams of “Why?! Why ?!” that were then shown in media outlets throughout the world still resonate in our heads. Harding became the punchline of every late-night talk show host’s monologue and, unlike any time other time in history, we had a physical, life-altering altercation between two of the very best competitors in their sport. Even without all of the facts, we identified Kerrigan as the protagonist and Harding as the antagonist. And rightfully so. However, though it is made clear from the film’s first scene that what we were about to see was a “mostly true, wildly contradictory” account of what happened. Yes, Gillespie only gave us one side of the story. Still, it’s a side that makes us think of Harding as an extremely sympathetic, misinterpreted, and even likable character who was, perhaps, as much a victim as Kerrigan was. Personally, I have a newfound affinity towards Harding that I hadn’t had in the 24 years since the near 25 years since the incident happened.
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The Wolf of Wall Street (2013)

the wolf of wall street movie posterThe Wolf of Wall Street is the fifth collaboration between Academy Award-winning director Martin Scorsese (Raging Bull, Taxi Driver) and leading Hollywood man Leonardo DiCaprio (Titanic, Revolutionary Road). With apologies to Gangs of New York, this is arguably their most daring work together. I would rank this as the third-best movie the duo has combined for. 2010’s Shutter Island is in my all-time top 15. This movie was magnificent in its storytelling and captivating ability to draw you in and keep you hooked for its duration. I think Shutter Island is Scorsese’s best work and, arguably, DiCaprio’s too. I know I am in the minority, and many people laugh at this notion, claiming that Shutter Island doesn’t even come close to cracking Scorsese’s all-time top five. I would rank The Wolf of Wall Street slightly below the departed and slightly above Gangs of New York. In my opinion, The Aviator is the worst of the bunch. Scorcese has eight Best Director Oscar nominations and one win (2006’s The Departed). The Wolf of Wall Street could earn him a ninth nomination, but it will not earn him a second win.
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