Theodore Melfi’s St. Vincent, his first full-length feature film, is a movie I liked a little more than I did. Unfortunately, though it did it better than many of its predecessors, it follows a very familiar been there, done that approach. It’s no wonder that, despite some great performances (especially from its lead), it got lost in the shuffle and ultimately got shut out from any Academy Award nominations. There is only so much you can do with portraying a down-and-out lead character who hits rock bottom and then has to fight to be again. In some flicks, we see these characters have bottomed before the movie begins (Crazy Heart, The Dark Knight Rises), and in others, the characters hit rock bottom throughout the film (The Wrestler, Shame, Leaving Las Vegas). St. Vincent is more like the latter, and while some might like it better, it came nowhere close to any of the five movies I mentioned in the previous sentence. While Bill Murray (Groundhog Day, Lost in Translation) gave his best lead performance in over a decade, the film offered nothing I hadn’t seen before, and I liked the avenues each of the five movies mentioned earlier explored.
Category Archives: Comedy
Top Five (2014)
The short. Skip Birdman. See Top Five. It’s the same movie with a couple of exceptions. Top Five has humor, is much more realistic, and you can relate to it more. It also isn’t the most over-hyped movie in the last five years. In fact, despite its 88% “fresh” rating on Rotten Tomatoes and lots of word of mouth on the street, it still surprisingly didn’t do all that well at the box office (just $23 million domestically). I did not see this movie in the theater, though it tempted me. The most significant thing going against the film was its release date. It opened on December 12th, right in the middle of when all of the big-time award movies were in the theaters. As a result, it got lost in the shuffle. If the studio could go back in time, they might have released this movie in August.
The Savages (2007)
Perhaps two of the best performances of the careers of both Philip Seymour Hoffman (Capote, Doubt) and Laura Linney (The Squid and the Whale, You Can Count on Me) are on display in the most under-appreciated movie in 2007, Tamara Jenkins (Slums of Beverly Hills) The Savages. This movie scored 89% fresh on Rotten Tomatoes yet amassed just $6.4 million at the box office. I did not see this movie in the theater. I remember hearing a lot about it, but I don’t remember seeing many trailers. And at the time, this wasn’t a movie that I thought would interest me. I am always lukewarm on films classified as drama and comedies. They are hit-or-miss for me. When they are right, they are great. But that seems to be the exception to the rule. I saw it only because it had such a high rating and because Linney earned a Best Actress Academy Award nomination for her performance. No one recommended this movie to me. It was a movie I told myself I would sit through and probably not enjoy, based on the reasons I listed above. Boy, was I wrong. The Savages is a fantastic movie and hits close to home for most of us at some point in our lives.
The Skeleton Twins (2014)
One of the most honest and straightforward movies of 2014 saw two of the most well-known Saturday Night Live alums take on roles that were very, very different from anything we had seen them in before. Rian Johnson’s (Looper, The Brothers Bloom) The Skeleton Twins explores mental health, a topic that hits very close to home for me. This is one of those movies categorized as a hit-or-miss drama/comedy, but it is hardly a comedy. This isn’t the heaviest movie in the entire world, but you certainly won’t be smiling much as you empathize with the leads Maggie (Wiig – Bridesmaids, The Secret Life of Walter Mitty) and Milo (Hader – Year One, Superbad). You might spend the first 15-30 minutes wondering when the comedy is coming, only to realize that maybe it’s not. This is something much more profound. This is a film for film enthusiasts worldwide.
Birdman (2014)
For all the hype surrounding Alejandro González Iñárritu’s (Babel, Biutiful) Birdman, I was highly unimpressed. Yes, it was an above-average movie. Yes, the directing was good. Yes, the acting was good. But I never felt anything remarkable about this movie, its directing, or its acting. According to www.indiewire.com, Academy Award nominations are a certainty for the film and for Iñárritu, Michael Keaton (as Lead Actor), Edward Norton (as Supporting Actor), Emma Watson (as Supporting Actress), and a host of others. I know this has been a terrible year for movies thus far, but there are still two months left. I still have incredibly high hopes for films like Interstellar, Nightcrawler, The Imitation Game, The Theory of Everything, American Sniper, Wild, Exodus: Gods and Kings, Foxcatcher, and Unbroken. I hope more than a few of these movies break through and become the movies of 2014 you have to see. So far, I’ve been told that Birdman, Gone Girl, and Boyhood were the movies that you HAD to see. So far, those who have said this have been 0-for-3. Each of these movies has been above average (B- to B range), but I will not have lasting memories of any of them.