If one trailer in 2013 left you thinking, “That movie could either be good or terrible,” it was the trailer of The Secret Life of Walter Mitty. This movie stars Ben Stiller, more or less, outside of his usual comedy genre. This movie is certainly not There’s Something About Mary or Meet the Parents. This isn’t the equivalent of Ed Helms in Jeff Who Lives at Home, Jim Carey in The Truman Show, or Will Ferrell in Everything Must Go. Those movies, each starring a comedic actor outside of their comfort zone, were more dramas, whereas this movie is both a drama and an adventure. In many regards, I appreciate the effort of Stiller venturing into something new. I think there is a place for a character of his ability in similar films. Unfortunately, The Secret Life of Walter Mitty is not this movie. The movie is rated PG, and I’m not entirely sure why. This isn’t Night at the Museum. I don’t feel like the younger audiences had/would have much interest in this movie. And even if it did appeal to this group, I’m not sure Stiller is the star to lead it. Maybe, but I’m not convinced. With that said, I appreciate a movie that aims for the PG rating when it seems it could easily drift towards the PG-13 rating
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Category Archives: Comedy
Enough Said (2013)
It is unfortunate that director Nicole Holofcener (Friends With Money, Lovely and Amazing) Enough Said was the last film that James Gandolfini (television’s The Sopranos, The Last Castle) completed before his untimely death, but what a lasting impression he will leave with the mass public in the most real and honest movie of 2013. Gandolfini has frightened us on the big and small screens for the last 20 years. He has played some of the vilest characters and some of the meanest. Like me, you might go into this movie thinking Gandolfini and Julia Louis-Dreyfus in a romantic dramedy. There’s A) No chance it will be good, and B) Even if the critics somehow give it a positive review, there is no way I will give it a chance because it will be so unbelievable. Just like with Gandolfini as some mobster, hard military man, or hitman, we think of Louis-Dreyfus as the queen of goofy television comedies like Seinfeld, Veep, and The New Adventures of Old Christine. There is no way this movie could ever work in the world, right? Well, I will say unequivocally that this assumption is wrong. This movie is not just good. It is great. The chemistry between Gandolfini and Louis-Dreyfus is not something that just gets by. It is something that works effortlessly.
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The Spectacular Now (2013)
The Spectacular Now was one of those movies that, before watching it, I thought I was going to be stupid, then I thought I would love it, and ultimately wouldn’t know how I would feel about it until its conclusion. This was based on the movie’s trailer. Then as I began watching the movie, I thought the same things. Had I seen this exact movie before? Probably. Was it going to be filled with cliche after cliche after cliche? Most definitely. Was there going to be some sort of twist or reaction to an event that would separate it from the other movies in this genre that I had seen before? I hoped so. Was the acting good enough and the characters believable for me to think I was part of a real story and not just watching a melodrama played on the screen? Probably not. With all of those things said, it’s a cute little film that I recommend watching, especially if you are in the 17-22-year-old range.
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Blue Jasmine (2013)
Woody Allen (Annie Hall, Midnight in Paris) has done more than enough in his latest venture to interest me in checking out some of his past films that I have yet to see. Blue Jasmine is a terrific little movie about crushed dreams, deception, and trying your best to accept the life you have, regardless if it is the life that you want. It stars Cate Blanchett (The Aviator, Notes on a Scandal) as the title character, a woman whose life is turned completely upside down when her life of luxury is uprooted as a result of her husband Hal’s (Alec Baldwin – The Cooler, The Departed) poor personal and professional decision-making. Instead of continuing to live her posh lifestyle in New York City with (what she thought) was her perfect husband, she is forced to move in with her sister Ginger (Sally Hawkins – Happy-Go-Lucky, Submarine) and her two sons in a rundown San Francisco apartment because she has nowhere else to go. Blanchett (Best Actress), Hawkins (Best Supporting Actress), and Allen (Best Original Screenplay) were all nominated for Academy Awards. While Blanchett and Allen were most deserving, I didn’t think Hawkins was great. It furthers the argument that the award is likely a two-person race between Lupita Nyong’o (12 Years a Slave), who should win, and Jennifer Lawrence (American Hustle). Blanchett has a small chance to unseat the favorite Sandra Bullock (Gravity), but I just don’t see it happening. Bullock carried a Best Picture nominee by herself for more than an hour. Even if Blue Jasmine had been nominated for Best Picture, it would still have been hard for her to defeat Bullock.
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This is 40 (2012)
This Is 40 is an incredibly depressing movie that is not really funny. I love a good, raunchy comedy as much as anyone, but when it’s raunchy and not funny, it becomes dumb. I say this with lots and lots of love for director Judd Apatow. Apatow has written and directed two of the funniest movies of all time (The 40-Year-Old Virgin, Knocked Up). He has also helped produce some of the other major comedies of the last decade, including Superbad, Step Brothers, Talladega Nights, Step Brothers, and Forgetting Sarah Marshall. Still, this is just the fourth movie he is directed, and one of those, Funny People, was anything but funny. This Is 40 should have been a big hit. Apatow is talented enough to make a movie surrounding this topic into something funny. But ultimately, This Is 40 is a failure. I have yet to talk to someone who has seen this movie and said, “I loved it and can’t wait to see it again.” I’ve heard, “I didn’t like that.” I’ve heard, “I saw it, and I’m glad I saw it, but I wouldn’t watch it again.” My thought on the movie was, “I saw it, and I’m not sure that I’m glad I saw it because, being near 40, I found parts of it to be too real and parts of it to be not real.” I’ll try to explain.
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