Soft, subtle, disciplined, loving, sad, purposeful, and real. Sebastián Lelio’s (A Fantastic Woman, Gloria) Disobedience is all these things and more. But as well as it does most of these movies, there are a couple of things that it just doesn’t hit on. I’ll have a spoilers section for this film later in this review. First, I will say that the film is very well made, but it doesn’t leave me feeling very emotional when it is over. At its base is this life story, but Lelio fails to draw us into it soon enough, and then when he does, it feels very uneven and leaves you uncertain of each of its lead characters’ decisions. Ultimately, it becomes a movie that lacks the poignancy it set out to achieve. However, it does dig deep into the important topic of same-sex attraction and same-sex relationships. It’s so unfortunate that, as a society, we have not fully embraced same-sex relationships yet.
Category Archives: Romance
Call Me By Your Name (2017)
As the release of 2017 movies slowly (and mercifully) comes to an end, each review provides an opportunity to reflect deeper and deeper on the year that was. I’ve mentioned a few times in recent reviews that 2017 has, by far, been the worst year for movies since the inception of this blog back in 2010. Some movies may finish at the end of my year Top 5, but they wouldn’t even come close to finishing in my Top 10 in any other year. Unfortunately, for this review, Luca Guadagnino’s (A Bigger Splash, I Am Love) Call Me By Your Name did not benefit from a weak 2017. This movie has done very well with the critics and likely will earn multiple Oscar nominations, including for Best Picture, Best Actor (Timothée Chalamet – Lady Bird, Interstellar), Best Adapted Screenplay, as well as potential nominations for Best Supporting Actor (Armie Hammer – Nocturnal Animals, The Birth of a Nation) and Michael Stuhlbarg (The Shape of Water, Arrival), Best Original Song, and others, it still didn’t captivate me in the way I expected it to. For those expecting this to be the most excellent movie about gay love since Brokeback Mountain, you may be disappointed. Brokeback Mountain is an A+ movie. Guadagnino’s (A Bigger Splash, I Am Love) Call Me By Your Name is a B at best.
The Big Sick (2017)
I was all set to review this movie and talk about its major flaws before I did one thing first. I looked at other reviews and learned this film is based on a true story. So rather than belabor the point I wanted to make, I’ll reference it later in the review and discuss its merits and minor flaws. Before I begin, I’ll mention that I didn’t think Michael Showalter’s (Hello, My Name is Doris) The Big Sick was marketed well when released over the summer. First of all, the movie’s title, its poster, its actors, and even its plot could have made more sense. Through in that Judd Apatow’s name was attached to it, and you had the thought that this was a raunchy comedy, much in the mold of Trainwreck, This Is 40, The 40-Year-Old Virgin, Knocked Up, and a host of other movies he didn’t even direct but was affiliated with as a producer or screenwriter. The Big Sick felt out of place from the start. It took word of mouth for this movie to get noticed and appreciated by audiences (despite its 98% rating on Rotten Tomatoes).
The Shape of Water (2017)
Guillermo del Toro’s (Nightmare Alley, Crimson Peak) adult fairytale The Shape of Water is a movie we’ve seen so many different times in so many different forms that it’s a wonder that we’d even be willing to see it again. Starcrossed lovers find themselves in a forbidden love situation while fighting off some catastrophe or at least societal pressures. Think Titanic, a nearly perfect movie showcasing this, will always be remembered by everyone who watches it. So, how does del Toro pull off this story in a wholly original yet equally compelling way? He does it in a way that only del Toro can do. And in doing so, he creates the most unparalleled and (with no disrespect to Call Me By Your Name) the most romantic movie of 2017. This movie certainly is not for everyone. If Thor: Ragnarok or Justice League is more your thing, then I’m not even sure I’d consider The Shape of Water. It is the ultimate independent movie, and if you go into this movie with the mindset that you’ll be able to enjoy the ride and not have to think, you’ll be in for two long hours. In a year where the movies have been the worst since I began my blog in 2010, the uniqueness of the films (rather than their quality) has defined this year.
Loving (2016)
Jeff Nichols’s (Take Shelter, Mud) Loving is an early contender for my most disappointing movie of the year. While there are plenty of other candidates, Loving is the only one likely to be considered for Oscar contention. It likely will get a nomination for Joel Edgerton (Warrior, The Gift), who I think is one of the best actors we currently have but whose performance was not one of the five best of the year (and probably wasn’t even one of the ten best). It likely will also get a nomination for Ruth Negga (Of Mind and Music, Warcraft), whose performance was equally uncompelling. And it could earn Oscars for Nichols (who I also love, but who should get nominated as well as Best Picture).