HBO (now Max) has been producing its own feature-length films since 1982, averaging 10-15 releases each year. Most of these films have little to no marketing behind them, nor are they distributed by a major studio or star A-list actors. With very few exceptions, these films go mostly unseen. However, there have been exceptions. These include The Normal Heart, Bad Education, Live from Baghdad, and Behind The Candelabra. Perhaps HBO’s most celebrated and widely received original movie is the Billy Crystal-directed (Forget Paris, Mr. Saturday Night) 61*, chronicling the 1961 single-season home run chase between New York Yankees teammates Roger Maris and Mickey Mantle.
Category Archives: Sports
Challengers (2024)
I have a spot in my heart for intense sports movies. I also enjoy films that effectively incorporate flashbacks to flesh out the story and its characters. Luca Guadagnino’s (Bones and All, Call Me by Your Name) Challengers incorporated both themes into his sexual, taught, tension-filled drama, using professional tennis as its backdrop.
Ferrari (2023)
2023 has been the year of the biopic. The year may be the successful blueprint that could ignite a trend. Each year, several biopics are released. Some are good. Some are not. In 2023, it has often felt like a new biopic was set for release each week. Some of the better ones were The Iron Claw, Dumb Money, Oppenheimer, Blackberry, Tetris, Maestro, Air, and Sound of Freedom. At some point, there was biopic overload, with films like Golda, Big George Foreman, Rise, Chevalier, Rustin, and Nyad getting lost in the shuffle. Rustin and Nyad are receiving Oscar Buzz for leading acting performances. Yet, if not for this recognition, each film likely would have been missed by the public without even knowing the film existed.
The Iron Claw (2023)
Talk about a gut punch of a movie. As a pro wrestling fan, I’ve known of the tragedy of the Von Erich family for years. However, while I know of the circumstances around each of the brothers, I was only familiar with the one brother who made it to the World Wrestling Federation (WWF, now World Wrestling Entertainment – WWE). Kerry Von Erich had a two-year run as The Texas Tornado in the early 90s. His time in WWF was when I was getting into pro wrestling, and The Texas Tornado was one of my favorites. A biopic about the Von Erich family had been in talks for years before Sean Durkin’s (The Nest, Martha Marcy May Marlene) The Iron Claw came about. I’ve read pre-screener reviews about how emotionally devastating this movie was for months. While I felt prepared for my watch, I left feeling wrecked. What a masterful feat.
Air (2023)
Ben Affleck continues to prove that he is the closest person, past or present, with a chance (however slight) to unthrone Clint Eastwood as the greatest actor/director combo ever. It will take a herculean effort to unseat Eastwood’s five Oscar nominations for directing (wins for Unforgiven and Million Dollar Baby) to go along with over 35 other directing credits, as well as nearly 60 acting credits. Affleck, at just 50 years of age, very well could surpass Eastwood’s acting credits, but another 35 directing credits seems like a stretch. Air is Affleck’s fifth feature-length film. Three of his previous four (Gone Baby Gone, The Town, Argo) have resonated strongly with critics and audiences, while his fourth (Live By Night) wasn’t that far of a drop-off. What’s great about Affleck as a director is his drive and creativity. The staples of his directed movies are taut scripts, formidable, seasoned casts, and expert artisans (cinematographers, sound engineers, production designers) who he allows the freedom to shine. Air delivers on all fronts. It’s a movie that would be difficult not to enjoy.