I’ve mentioned many times that I am so glad I am not addicted to gambling. I have other vices, and the added temptation of a big payday by sacrificing my hard-earned money with less-than-successful odds sounds miserable.
In Aaron Sorkin’s directorial debut, he tells the story of Molly Bloom (Jessica Chastain – A Most Violent Year, Take Shelter), an Olympic-level skier who once ran one of the most exclusive high-stakes poker games for more than a decade, two years before her arrest that saw FBI agents surrounding her house with automatic guns in the middle of the night. It’s a legitimate directorial debut and one that is worthy of its high praise. But despite how well made the movie is, I believe it to be a much more enjoyable and educational film if you are familiar with poker. I have no idea how to play the game, so while I was fascinated by the movie, there were many parts where I felt like the odd one sitting around a kitchen table because there were many terms thrown around that I did not understand as well as actions, motives, dialogue, and even purposes that felt very foreign to me. As a result, the movie didn’t hook me like it did many of the other films that Sorkin also wrote (The Social Network, Moneyball, Steve Jobs, Charlie Wilson’s War, not to mention his credits as a lead writer on television’s The West Wing and Newsroom). That’s not to say Sorkin should stick to screenwriting. He absolutely should not. It’s just that I will look forward to seeing him direct a movie revolving around a different theme in the future rather than revisiting Molly’s Game, a film that, frankly, will be one that I will forever forget about soon after I write this review.
This Is 40 is an incredibly depressing movie that is not really funny. I love a good, raunchy comedy as much as anyone, but when it’s raunchy and not funny, it becomes dumb. I say this with lots and lots of love for director Judd Apatow. Apatow has written and directed two of the funniest movies of all time (The 40-Year-Old Virgin, Knocked Up). He has also helped produce some of the other major comedies of the last decade, including Superbad, Step Brothers, Talladega Nights, Step Brothers, and Forgetting Sarah Marshall. Still, this is just the fourth movie he is directed, and one of those, Funny People, was anything but funny. This Is 40 should have been a big hit. Apatow is talented enough to make a movie surrounding this topic into something funny. But ultimately, This Is 40 is a failure. I have yet to talk to someone who has seen this movie and said, “I loved it and can’t wait to see it again.” I’ve heard, “I didn’t like that.” I’ve heard, “I saw it, and I’m glad I saw it, but I wouldn’t watch it again.” My thought on the movie was, “I saw it, and I’m not sure that I’m glad I saw it because, being near 40, I found parts of it to be too real and parts of it to be not real.” I’ll try to explain.
Though 2010 was the best year for movie releases in my lifetime with the likes of movies like