“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
2009’s The Hurt Locker is one of the finest movies ever. It was utterly gripping in its year of release and is a movie that will remain relevant until the end of time. It was monumental that director Kathryn Bigelow (Point Break, Zero Dark Thirty) became the first woman to win the Academy Award for Best Director and the first woman to direct a Best Picture of the Year. It only took 80 years. Just as impressive, and a significant credit goes to Bigelow, was the breakout performance for two future Hollywood A-listers in Jeremy Renner (The Town, Wind River) and Anthony Mackie (The Adjustment Bureau, Triple 9). Ironically, both have landed themselves as Avengers characters, something I will touch on later in this review. There have been many excellent movies about the war in Iraq (Stop-Loss, The Green Zone, The Messenger, Grace Is Gone, Lions for Lambs, In the Valley of Elah, Jarhead), The Hurt Locker is second, falling just behind Clint Eastwood’s American Sniper. And it’s close. Each is a film that should receive multiple views. Each had a lead that hit his performance entirely out of the park, had incredible direction, and had a chilling score that could be listened to on a quiet night on the couch at home. It is, without a doubt, a movie that should be viewed by anyone who enjoys/appreciates war movies.
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Continuing the theme of 2015 awards season movie releases failing to meet expectations because of the lack of emotional audience engagement comes Concussion, a true story dealing with the effects of professional football concussions. The movie, set in 1982 Pittsburgh, begins with one of the city’s most recognizable faces (Mike Webster of the Super Bowl-winning Steelers teams of the ’70s) living in his truck and slowly losing his mind. Mike (David Morse – The Green Mile, Disturbia) gives the most poignant performance in the entire movie. In a film where we could and should care for all sorts of characters, Mike is the only supporting character who drives out any emotion in us or allows us to feel any empathy. In just a few short scenes, Mike can convey to us that despite what his doctors say, he has significant life problems that are a result of something that happened to his mind from the time he retired in 1990 until the time frame at the start of the film (2002). His 14-year career included 150 straight games as a starting center from 1976 to 1986.
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The Green Mile was Frank Darabont’s (The Mist, The Majestic) first movie following The Shawshank Redemption, a riveting prison movie that has found a permanent spot on many critics and movie fan’s top ten of all-time lists. The expectations were high for The Green Mile, if not altogether unrealistic. Like The Shawshank Redemption, this movie was set almost exclusively in prison. Like The Shawshank Redemption, this movie was based on a Stephen King novel. Like The Shawshank Redemption, this movie was set somewhere in middle America, reasonably close to the time frame of World War I, though neither of these movies ever really talks about any war. The Green Mile was set in 1932, while The Shawshank Redemption was set in 1946. The expectations for The Green Mile might have been unrealistic. I say this because of the reasons mentioned above, but also because it starred Tom Hanks (Forrest Gump, Philadelphia), Hollywood’s #1 leading man at the time, who was fresh off of receiving his 5th Academy Award Nomination for Best Actor after his performance in Saving Private Ryan. While The Green Mile is not as good as The Shawshank Redemption (my favorite film of all time, at the time of this review), it is still an incredible movie that everybody should see at least once.
Continue reading The Green Mile (1999) →
Movies I Watch That Inspire Me to Critique!