After two movies, the jury is still out on Joel Edgerton as a director. After catching fire with 2015’s surprise hit The Gift, Edgerton tried his hand with material based on a true story, adapting and writing the screenplay for Garrard Conley’s novel Boy Erased. To be perfectly transparent, I had extremely high expectations for this film. This was a novel I read a couple of years ago, well before I knew that a movie based on the story was in the process. I enjoyed the book, and when I saw that the cast was to include Edgerton, Lucas Hedges, Nicole Kidman, and Russell Crowe and that it was already being mentioned in Oscar discussions before it was released, I was more than excited. However, I knew that the topic of this film was controversial. When I read the book, I was not dissatisfied with the ending but felt rushed quite a bit. Boy Erased was one of my ten most anticipated films of the year. And like a few others in my ten most anticipated films of the year (namely First Man), it ultimately failed to impress. A film that should have been ripe with emotion left me completely unaffected.
Category Archives: Joe Alwyn
Billy Lynn’s Long Halftime Walk (2016)
Billy Lynn’s Long Halftime Walk is not your typical Ang Lee (Lust, Caution, Hulk) film. It doesn’t have the effortless flow near the sweeping landscapes of Crouching Tiger, Hidden Dragon, Life of Pi, or Brokeback Mountain. While these three movies netted the legendary director three Best Director Academy Award nominations, including two wins, Billy Lynn’s Long Halftime Walk likely will not earn him nomination number four. It’s awkward and clumsy at times. It has unnecessary elements in it. Most importantly, it lacks any immediate or emotional impact that the trailers lead you to believe it has. The premise felt very much like Clint Eastwood’s Flags of Our Father. I expected much more from these movies than from what was delivered. Nevertheless, there were some good things about Billy Lynn’s Long Halftime Walk. It is much better than its current 43% fresh rating on Rotten Tomatoes.