The biggest compliment I can give Rebecca Miller’s (The Ballad of Jack and Rose, Maggie’s Plan) unmemorable She Came To Me was that it was creative. I crave originality. While none of the singular components were necessarily imaginative, the sum of the parts brought a freshness that kept me engaged. Unfortunately, I left feeling uninspired and disappointed as Miller dipped in and out of genres. Pegged as a romantic dramedy, I never felt involved enough with the characters to take the film seriously. Likewise, the comedy was a miss for me, though I heard some chuckling from the other ten or so people in my theater. And, while the film centered around intimate relationships at its core, this was far from checking off the romance genre checkbox. In all, it was pretty messy as it crawled towards a predictable finish line, misusing the talents of three of Hollywood’s biggest names in the process.
Category Archives: Peter Dinklage
Cyrano (2021)
La La Land 2021? With 2021? With half a dozen ways different ways to start this review swirling through my head, I decided to best refer to La La Land, my favorite movie musical of all time. Because there is a new runner-up. While Joe Wright’s (Anna Karenina, Atonement) Cyrano doesn’t entirely leave that pit in your heart when it concludes, it comes pretty darn close. Both breathtakingly beautiful and painstakingly heartwrenching, Peter Dinklage (Three Billboards Outside of Ebbing, Missouri, I Care A Lot) is astounding as Cyrano de Bergerac, a role he was destined to play.
Three Billboards Outside Ebbing, Missouri (2017)
In an Oscar season that hasn’t been so much a run of disappointing movies as much as has been movies that didn’t whet the appetite, Martin McDonagh’s (Seven Psychopaths, In Bruges) Three Billboards Outside Ebbing, Missouri has a chance to finish in my Top 10 movies of the Year. In contrast, I wouldn’t have had a chance since I began writing this blog in 2010. While I enjoyed its dark theme, its complex characters, and even, to an extent, its quirkiness, this movie was close to perfect. It is a lock for the Best Picture nomination, which shows just how down the year 2017 is for the film.
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