Ready to call it a career, Frank James (Sam Shepard – Out of the Furnace, The Right Stuff) promises his brother Jesse (Brad Pitt – Legends of the Fall, Once Upon a Time in Hollywood) one last train heist with the notorious James Gang. Then, Frank will drift off into the sunset and live out the rest of his life quietly. But what will happen to Jesse? Well, he will be assassinated by the coward Robert Ford. The film’s title gives the plot away unless somehow we are talking about the assassination metaphorically. We are not. So what keeps director Andrew Dominik’s (Blonde, Killing Them Softly) The Assassination of Jesse James by the Coward Robert Ford such an alluring watch for its nearly three-hour runtime?
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Inspired by actual events, Susanna White’s (Our Kind of Traitor, Nanny McPhee Returns) Woman Walks Ahead is a pretty good movie, but one made worse by its Hollywoodization. The film takes true events and changes them for no real reason. The general moviegoer would never have known the difference between what transpired and what was fictionalized. But the fact that there was a differentiation between fact and fiction didn’t do anything but cheapen the movie. One of the hardest things for me to do when reviewing a movie is trying to determine if the liberties that were taken to strip a film of its factual basis while still claiming to be based on a true story truly advance the movie past the point where it would have arrived to if it had just followed the facts.
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Adam McKay’s (The Big Short, Anchorman – The Legend Of Ron Burgundy) Vice almost suffered from a trailer depicting a movie resembling a spoof. With The Killers’ hit song Who’s The Man playing in the background and a nearly unrecognizable Christian Bale (Hostiles, American Hustle) almost dancing to the beat in between intermittent lines of him hyping himself up or talking about how he’s going to break all the rules when he becomes Vice President of the United States, McKay’s latest movie plays more like the Will Ferrell/Zach Galifianakis underrated comedy The Campaign that it does a biopic in the realm of Nixon, Lincoln, or Thirteen Days. Its nomination category at this year’s Golden Globe Awards was “Comedy.” But while Vice is constantly entertaining and is filmed in a way that, at times, feels like a mockumentary, it is very much a drama that you’ll sometimes feel guilty laughing at, even purposely designed humorous moments.
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In an Oscar season that hasn’t been so much a run of disappointing movies as much as has been movies that didn’t whet the appetite, Martin McDonagh’s (Seven Psychopaths, In Bruges) Three Billboards Outside Ebbing, Missouri has a chance to finish in my Top 10 movies of the Year. In contrast, I wouldn’t have had a chance since I began writing this blog in 2010. While I enjoyed its dark theme, its complex characters, and even, to an extent, its quirkiness, this movie was close to perfect. It is a lock for the Best Picture nomination, which shows just how down the year 2017 is for the film.
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I’m a huge fan of small-town dramas (not the ones that are dispersed with quirky, sarcastic, or black humor, but the really heavy dramas), so when the unheard movie Snow Angels fell into my lap, it felt too good to be true. This movie made less than $500,000 at the box office despite some mostly positive acclaim from the critics (67% fresh on Rotten Tomatoes). It stars a couple of A-list celebrities, Kate Beckinsale (Underworld, Brokedown Palace) and Sam Rockwell (Moon, The Way Way Back), and some unknown actors and actresses who gave some dynamite performances. While the moving will depress you, it is a wonderfully crafted movie that fans of these small-town dramas would most likely enjoy. Fans of Rockwell should most certainly see this movie as this is one of the finest performances of his career.
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Movies I Watch That Inspire Me to Critique!