Barry Jenkins’ (Medicine for Melancholy) Moonlight is an ambitious film in many ways. Though it mainly revolves around the uncertainty of being gay, it also touches on many of the other important issues of the day, including adolescent bullying, drug abuse, masculinity, broken relationships, and poverty. The acting in this movie is out of this world. Never does this feel like a movie to me. Instead, it feels like you are just an invisible camera watching three different stages of a male discovering and dealing with his sexual identity in the hardships of a destitute part of Miami, Florida. The film is divided into three chapters. All are centered around Chiron. At age 6 or 7, he is referred to as Little. At age 16 or 17 (the chapter that gets the most focus), he is Chiron. And for the last chapter, he’s 26 or 27 and goes by Black. He’s equally conflicted in all three different stages of his life. The simplicity of this movie is its strength. If you like artistic movies that center around a real story with characters who feel real, you will find this movie riveting.