Christopher Nolan (The Dark Knight Rises, Inception) might be the best technical director we’ve ever seen. His precession is perfect. His attention to detail is unmatched. His brain operates so that it is always ahead of his actors and two steps ahead of his audience. We’ve seen technical masterpieces throughout his already storied career. At 47, he already has masterpieces like Following, Memento, Insomnia, Batman Begins, The Dark Knight, The Dark Knight Rises, The Prestige, Inception, and Interstellar all underneath his belt. According to Rotten Tomatoes, his “worst” movie is Interstellar, which still has a 71% fresh rating. That means his “worst” movie still had five out of every seven critics gave the movie a positive rating. However, for all of the positives associated with Nolan’s films (and there are many), he has failed to capture the often-needed emotional component with every single one.
Category Archives: Based on a True Story
The Post (2017)
I was able to preview Steven Spielberg’s (Jaws, Saving Private Ryan) The Post two years before it was released to the public and even a year before it went into production. It was called Spotlight, and it won the Oscar for Best Picture. It was a fantastic movie. I wish I were more than kidding, and with that, I could be more positive about my viewing of what I hoped could be one of the year’s best movies. That was months ago when I only knew of the movie title and that it starred Tom Hanks and Meryl Streep. In my head, I envisioned a movie about an army outpost and was very intrigued. But then I saw the preview, and I wished the movie would have been about a post office instead. Then, when I was halfway through the movie, I wished I had been watching a movie about a bedpost, a fence post, or any other post that would have represented something far less predictable and boring than the waste of talent and time that was being projected on the screen in front of me. It was one of those times (I’ve had many recently) when I was more than grateful to have a MoviePass. The thought of paying for some of these 2017 movies is even more terrifying than the disappointing IT, which was neither scary nor good. And, except for a couple of non-Oscar nominated movies that I am still looking forward to but have yet to see (Hostiles, The Florida Project), The Post successfully ends 2017, the worst year for movies this century.
I, Tonya (2017)
Boy, do I have a completely different opinion of Tonya Harding after seeing Craig Gillespie’s (Lars and the Real Girl, The Finest Hours) I, Tonya. The movie revolves around the 1994 Winter Olympics when her main competition for a gold medal that year (Nancy Kerrigan) had her knee taken out after a 1993 skating session in Detroit, MI, by someone on Harding’s payroll. Kerrigan’s recorded screams of “Why?! Why?!” that were then shown in media outlets worldwide still resonate in our heads. Harding became the punchline of every late-night talk show host’s monologue. Unlike any other time in history, we had a physical, life-altering altercation between two of the best competitors in their sport. Even without all the facts, we identified Kerrigan as the protagonist and Harding as the antagonist. And rightfully so. However, it is made clear from the film’s first scene that what we were about to see was a “mostly true, wildly contradictory” account of what happened. Yes, Gillespie only gave us one side of the story. Still, it’s a side that makes us think of Harding as an extremely sympathetic, misinterpreted, and even likable character who was, perhaps, as much a victim as Kerrigan was. I have a newfound affinity towards Harding that I hadn’t had in the 24 years since the nearly 25 years since the incident happened.
Darkest Hour (2017)
Before I start the review for Darkest Hour, we should get one thing out of the way. Gary Oldman (Sid and Nancy, The Dark Knight Rises) will win this year’s Oscar for Best Performance by an Actor in a Leading Role. Whoever the other four nominees can skip the ceremony. Buried in thick coats of makeup and padding that make him unrecognizable, Oldman (who was only six years younger in real life than the many he was portraying on screen was at the time of this movie but who takes better care of himself physically than the man he is portraying) pulls off one of the most remarkable actor character transformations in recent memory in his portrayal of British Prime Minister Winston Churchill. His performance will be compared to Colin Firth’s portrayal of King George VI (who ironically was a character in this movie) in 2010 The King’s Speech, a role in which he earned numerous awards, including the coveted Best Performance by an Actor in a Leading Role Oscar.
All the Money in the World (2017)
You know it’s a great year for actresses in a leading role when Michelle Williams (Blue Valentine, Manchester by the Sea), arguably the most outstanding actress of her generation, gives one of the best performances of her career and won’t even get a sniff when it comes to an Oscar nomination. But that is what we had in 2017. We have a year that, as a whole, hasn’t produced many great movies, nor has it given us many great performances for actors in a leading role. Still, it has given us so many excellent lead actress performances that the likes of traditional heavyweights Williams, Jessica Chastain (Molly’s Game), Emma Stone (Battle of the Sexes), and Jennifer Lawrence (mother!). Williams gives one of the top five performances of her career in Ridley Scott’s (The Last Duel, The Martian) All the Money in the World. But it likely will be forgotten for two reasons.
Continue reading All the Money in the World (2017)