It took the entire year to find it, but the last must-see movie of 2013 proved to be the most emotional and tear-jerking movie of the year. With apologies to 12 Years A Slave, which was very gut-wrenching at times, Lone Survivor is the movie that plays with your heartstrings like no other. Mark Wahlberg (The Fighter, The Perfect Storm) gives the performance of his lifetime as Marcus Luttrell, the only surviving member of a four-person Navy SEALs team on the now infamous failed Operation Red Wings mission of 2005. The covert mission is simple enough. The four SEALs are to find notorious Taliban loyalist Ahmad Shah, a man currently residing in a village in Afghanistan who is responsible for killing 20 US marines a week earlier. Intel has informed him of his location, and the team knows what to look for because Shahd has no ear lobes. They are informed of the terrain, the mission’s dangers, and the engagement rules. The mission’s main goal was reconnaissance and surveillance of Shah and then informing the waiting military team, who had the authorization to launch an air strike on the village to take out Shah and his men.
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Category Archives: Based on a True Story
Philomena (2013)
Philomena is a fine little movie that has somehow been classified as a great movie worthy of Best Picture and Best Actress (Judy Dench – Notes on a Scandal, Shakespeare In Love) nominations. In my opinion, neither are deserving. This movie, though only 1 hour 38 minutes, never felt super slow, but it still did feel long. I think that had to do with the story not winning me over. In a year where there were many decent movies but not many great ones, Philomena will not be remembered. I think when people go back and remember 2013, the list isn’t very deep. People will remember 12 Years A Slave, Gravity, and possibly Frozen (I’m not an animated movie type of guy, so I won’t see this movie, but I understand how great others think it is).
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American Hustle (2013)
My review of David O. Russell’s (Silver Linings Playbook, The Fighter) American Hustle will be much quicker than some of my other recent reviews. This movie isn’t exactly flying under anyone’s radar. As of this post, it most likely will earn Oscar nominations for Best Picture and Best Director (though it probably will win neither) and has a chance to land nominations for four of its actors, though the only one that seems certain is Jennifer Lawrence (Silver Linings Playbook, Catching Fire) for Best Supporting Actress. There are many critics out there (currently rated as 93% fresh on Rotten Tomatoes. who will rave about this movie, including Richard Roeper, who listed this as his best movie of 2013. I am, therefore, in the minority. Perhaps the expectations were so astronomically high going into this movie, perhaps it was I had watched The Wolf of Wall Street just two days prior (a movie that dwarfed this one), or perhaps it was that I was just bored. Still, for whatever reason, I was very, very, very underwhelmed.
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The Wolf of Wall Street (2013)
The Wolf of Wall Street is the fifth collaboration between Academy Award-winning director Martin Scorsese (Raging Bull, Taxi Driver) and leading Hollywood man Leonardo DiCaprio (Titanic, Revolutionary Road). With apologies to Gangs of New York, this is arguably their most daring work together. I would rank this as the third-best movie the duo has combined for. 2010’s Shutter Island is in my all-time top 15. This movie was magnificent in its storytelling and captivating ability to draw you in and keep you hooked for its duration. I think Shutter Island is Scorsese’s best work and, arguably, DiCaprio’s too. I know I am in the minority, and many people laugh at this notion, claiming that Shutter Island doesn’t even come close to cracking Scorsese’s all-time top five. I would rank The Wolf of Wall Street slightly below the departed and slightly above Gangs of New York. In my opinion, The Aviator is the worst of the bunch. Scorcese has eight Best Director Oscar nominations and one win (2006’s The Departed). The Wolf of Wall Street could earn him a ninth nomination, but it will not earn him a second win.
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12 Years A Slave (2013)
The typical moviegoer of America will soon be introduced to one of the next big names in feature film directing when the Academy Award nominations come out in a few weeks. Steve McQueen will undoubtedly earn a Best Director nomination for 12 Years A Slave, a movie that some say is the greatest movie about slavery ever told. While those who have seen the film have talked a lot about the acting (and rightfully so), this movie, like any great movie, needs a captain to steer the ship and bring the story together. McQueen does just that. In a few weeks, the typical moviegoer will ask what else McQueen directed. Well, this is just his third feature film. He has 23 “Shorts” that he is credited with directing, but only two feature-length films. But these two other films weren’t just any movies. Much like Christopher Nolan (The Dark Knight, Memento), everything that McQueen has touched in his young career has had a purpose. He doesn’t have any “throw away” movies. The movies he has tackled thus far in his full-length directorial career have been on slavery, sex addiction (Shame), and the true story of an Irish Republican Army activist who, in 1981, protested the way British guards were treating him and fellow inmates by embarking on, perhaps, the most internationally recognized hunger strike since Gandhi (Hunger). While Shame and Hunger earned critical acclaim, many people didn’t see them. Shame is a brilliant movie about the taboo topic of sex addiction. As a result, I expected much more when I saw Hunger after this. While I appreciated many aspects of Hunger, I found it rather dull. So now, with 12 Years A Slave, McQueen has three movies I admire and two that I think are brilliant.
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