The Impossible is flat-out the best movie of 2012. I went into the movie thinking it would be one of the ten best of 2012, but I didn’t think it would crack the top five, let alone take over The Dark Knight Rises. As I’ve stated many times, a great movie has an advantage over other great movies if it is based on a true story. Not “inspired by a true story” or “based upon true events” but “based on a true story.” A great movie can lose a lot in my book if it turns out that much factual information is exaggerated or incorrect. Remember The Titans went from being in my all-time top 25 to fall out of the top 150 because of how factually incorrect it had been. Rather than winning the state championship on the game’s final play, as depicted in the movie, the TC Williams Titans won that game handily 27-0. And while I haven’t sought out any discrepancies between what was shown in The Impossible and what happened, I haven’t heard anybody say that the events were untrue.
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Category Archives: Based on a True Story
Lawless (2012)
Tom Hardy (The Dark Knight Rises, Warrior) is quickly establishing himself as a leading man in Hollywood. Since really coming onto the radar after 2010’s Inception, Hardy went on to win audiences over in the surprisingly good Warrior before donning a mask as Bane and becoming 2012 biggest villain in The Dark Knight Rises. In a movie full of top-notch acting, Hardy turns in the performance of his young career in John Hillcoat’s (The Road, The Proposition) Lawless.
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What Doesn’t Kill You (2008)
According to the website www.boxofficemojo.com, the Mark Ruffalo/Ethan Hawke crime drama earned just $44,872 in the theaters. Even if both its two lead stars plus the talented Amanda Peet (Identity, The Whole Nine Yards) agreed to work for free, this movie still did not come close to earning back what it cost to produce. Usually, when you’ve never heard of a film, especially one in which both its lead stars have each been nominated for an Academy Award before you see it on DVD, it’s because the movie stunk. Most of those involved with the film would rather it go unnoticed. This is probably accurate 90% of the time. What Doesn’t Kill You falls into that other 10%. The story isn’t new. We’ve seen the same story played out hundreds of times on the screen (including even a couple of movies involving Ethan Hawke that fall along those lines). There was nothing that particularly stood out in terms of the plot. Sure, the fact that it was based on a true story strengthens its cause. But still, the old man involved with crime and drugs, trying to turn around his life for his family, but struggling to do so is nothing new. So how does this movie break through that threshold and be one of those movies you remember? It was the acting.
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Moneyball (2011)
Moneyball is the true story of Oakland Athletics General Manager Billy Beane. In 2001, the Athletics advanced to the Major League Baseball American League Division Championship Game, where their opening day payroll of $33,000,000 was facing the New York Yankees and their opening day payroll of $109,000,000 in an elimination game for the right to advance to the conference championship. Instead, the Athletics lose the game and the series. It is a foregone conclusion that the team will lose its three marquee players, who are free to sign wherever they want, to bigger market cities because the team doesn’t have the money to sign the players to the massive contracts they have demanded with great statistical seasons.
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Pollock (2000)
Ed Harris (The Abyss, The Hours) delivers the performance of his career in Pollock, the story of American artist Jackson Pollock, who revolutionized American painting in the 1940s in New York City. Harris, who also directed the movie, portrays Pollock as an emotionally and mentally unstable wreck of a human being whose personal demons were often overshadowed, or should I say overlooked, by his adept skill in abstract painting. His use of dripping and splattering wild combinations of colors was unique and new and captured the attention of some of America’s most notable artists, museum owners, and journalists.