Sinister is easily the creepiest movie of 2012, a year that did not feature much in terms of great horror movies. It was a movie that I thought I would easily pass on when I first saw the previews. I knew for sure I would not be seeing it in the theater. Ethan Hawke is a good actor who can sometimes be incredible (Training Day, Before Sunset) but also lay some serious duds (Brooklyn’s Finest, The Getaway). Seeing him in a horror film was a change for him and one I didn’t think he would be good at. I’ll be the first to say that I was wrong. He did well in this movie.
Category Archives: 2012
2 Guns (2013)
2 Guns is not my type of movie because it isn’t sure what it wants to be. It doesn’t take itself too seriously, but it contains relationships between the characters that seem meaningful. At times, it’s a terrible drama. At times, it’s a comedy that isn’t funny. At times, it’s a lame attempt at a shoot ’em up in Quentin Tarantino style. Its lead actors are all over the place. In short, it’s a movie that doesn’t know what it wants to be. It’s also a movie that wastes the talents of two great actors, Denzel Washington (Training Day, American Gangster) and Mark Wahlberg (Shooter, The Italian Job). It’s a little ironic because this was Washington’s first movie since his outstanding performance in Flight and the last movie Wahlberg shot before his outstanding performance in Lone Survivor. I wouldn’t go so far as to say it’s a movie that either of these actors wishes they had not done, but it is a movie that I wish they hadn’t done.
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This is 40 (2012)
This Is 40 is an incredibly depressing movie that is not really funny. I love a good, raunchy comedy as much as anyone, but when it’s raunchy and not funny, it becomes dumb. I say this with lots and lots of love for director Judd Apatow. Apatow has written and directed two of the funniest movies of all time (The 40-Year-Old Virgin, Knocked Up). He has also helped produce some of the other major comedies of the last decade, including Superbad, Step Brothers, Talladega Nights, Step Brothers, and Forgetting Sarah Marshall. Still, this is just the fourth movie he is directed, and one of those, Funny People, was anything but funny. This Is 40 should have been a big hit. Apatow is talented enough to make a movie surrounding this topic into something funny. But ultimately, This Is 40 is a failure. I have yet to talk to someone who has seen this movie and said, “I loved it and can’t wait to see it again.” I’ve heard, “I didn’t like that.” I’ve heard, “I saw it, and I’m glad I saw it, but I wouldn’t watch it again.” My thought on the movie was, “I saw it, and I’m not sure that I’m glad I saw it because, being near 40, I found parts of it to be too real and parts of it to be not real.” I’ll try to explain.
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Celeste and Jesse Forever (2012)
Celeste and Jesse Forever is a fantastic little movie paused on a completely implausible concept: that you can remain best friends with the love of your life after a failed relationship. The movie was a difficult sell. While it hit with the critics (70% fresh on Rotten Tomatoes), it missed with audiences (just $3 million at the box office). The movie stars two of Hollywood’s funniest young actors (Andy Samberg – Saturday Night Live and Rashida Jones – NBC’s Parks and Recreation) who have worked so hard on the small screen that now they are household names. This both helped and hurt the movie. When we see each name, we think comedy, comedy, comedy. So when we see them in a movie like Celeste and Jesse Forever that has as much drama as it does comedy, we aren’t sure what to think.
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Chernobyl Diaries (2012)
Low-budget fright flicks have become a part of our culture since 1999’s Blair Witch Project. A good number of these the majority of the public has never heard of because the completed product goes straight to video. Another batch makes it to the big screen, some of which we convince ourselves to see (The Fog, Darkness, Feardotcom), and after 20 minutes, we wish it had gone straight to video and never heard of it. Then there is the small group of these movies you cannot just tolerate but come to enjoy for whatever reason. The best example is 2005’s The Descent, which saw a group of six 20-something females trapped in a cavern on a girls’ getaway weekend and hunted by a force that lives in the dark. This movie was an instant classic and still a top-five horror movie. Chernobyl Diaries is nowhere close to The Descent, but it still offers many of the same elements that made this movie successful. It offered a small group of no-name actors. It was set in a location where you could suspend your beliefs and start to believe that anything is possible. There are the slowly developing scenes where you know something bad is about to happen, and you are just sitting there wondering what that will be and when it will occur. Finally, it has a handful of jump-out-your-seat moments. For these reasons, I give Chernobyl Diaries a positive review and would encourage low-budget horror fans to check it out.
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