Good things happen to bad people. That was my impression of Adam, the lead character of John Wells’s (August: Osage County, The Company Men) imperfect but underappreciated Burnt. The Bradley Cooper (Maestro, A Star Is Born) 2015 release came when its lead actor was on a cold streak with poorly received big-budget releases such as Aloha, Joy, and Serena. This was abysmal timing as Cooper, who, the year before, had just become the 10th male actor ever to earn three consecutive acting Oscar nominations (Silver Linings Playbook, American Sniper, American Hustle).
Category Archives: 2015
By the Sea (2015)
Just because two people embark on an extended vacation to one of the most beautiful places in the world doesn’t mean that happiness is guaranteed to come with them. Such is the tale of Vanessa (Angelina Jolie – Girl, Interrupted, Changeling) and Roland (Brad Pitt – Once Upon a Time in Hollywood, Moneyball), a married couple of 14 years who set out for a remote French seaside town for some quiet time together in a local hotel that offers a stunning view of the landscape it sits next to, which happens to be the Mediterranean Sea. He’s a writer looking for inspiration. She’s a retired ex-dancer. But, unfortunately, all is not well and has not been well for quite some time in the Angelina-directed (Unbroken) By the Sea.
Mission: Impossible – Rogue Nation (2015)
As my friend Tom would say, directing a Mission Impossible movie is like a doorknob. Everyone gets a turn. This is so true, but not really in a good way. While this franchise undoubtedly improves with each new installment, this wasn’t always the case. My biggest problem with the first four movies of the franchise was how different they were from one another. I have never watched a sequel that was so inherently different in directing, storytelling, cinematography, sound, and everything else from the original than Mission Impossible 2 was from Mission Impossible. John Woo’s Hong Kong-style martial arts action flick was so far completely different from the Brian DePalma intelligent, well-crafted, big-budget adaptation of the brilliant spy television series that ran for seven years in the late 1960s that it felt like the two movies weren’t even related. I don’t necessarily oppose changing a director (though I don’t love it), but I oppose changing styles. Plenty of franchises have had different directors that have made that work (most notably the James Bond franchise, which is similar to Mission Impossible), but many more haven’t.
Daddy’s Home (2015)
With apologies to the extremely funny The Campaign, first-time co-director John Morris and Sean Anders’s (Horrible Bosses 2, Sex Drive) Daddy’s Home is, ironically, Will Ferrell’s (Old School, Step Brothers) best-starring comedy role since 2010’s The Other Guys. It’s not a movie I thought I would particularly like and one that I had serious doubts about as much as 20 minutes in (I hadn’t laughed, but maybe one time), but as the movie progressed, it got funnier and funnier. By its conclusion, it became a somewhat memorable movie I wouldn’t put on the “A-shelf” comedy list but might find itself just a notch below. What made the movie work was the dynamics between Ferrell and Mark Wahlberg (Lone Survivor, The Fighter), who didn’t have the same chemistry they had when they teamed partners in the buddy cop, The Other Guys, but were still pretty close. While Daddy’s Home was 100% entirely predictable, it didn’t make it any less fun, and while Ferrell and Wahlberg weren’t exceptionally fantastic in the scenes where they weren’t together, it more than made up for the scenes where they shared screen time.
A Walk in the Woods (2015)
A Walk in the Woods, the 2015 comedy-drama that I thought would be a throwaway movie I originally only watched so that I could add it to my list, turned out to be one of the year’s biggest surprises. Now, don’t get me wrong. I’d be a fool to think that a year from now, I’d remember anything from this movie or that I’ll ever watch this movie again. But for two hours on a Tuesday night in the middle of April, it was a refreshing escape from reality, and the movie had me grinning from ear to ear from the first scene until the last. Also, if Robert Redford (The Horse Whisperer, All is Lost) or Nick Nolte (The Prince of Tides, Warrior) called it a career today, and this was either of their last movies, that would be okay.
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