
Borg Vs. McEnroe (2018)

But here we have this much less marketed movie in The Miseducation of Cameron Post with a much less recognized cast and a first-time director in Desiree Akhavan (Boy Erased was directed by Joel Edgerton, a pretty darn good actor turned director). Many didn’t see This lesser-known movie, earning less than $1 million domestically (compared to $7 million for Boy Erased, which could have been more successful). Still, it succeeded because of both its softness and its quietness. The movies were similar, and I’d like to know what Edgerton knew about Akhavan’s movie and vice versa. While Boy Erased underwhelmed (primarily due to my lofty expectations of it going in), something about it still made the movie more memorable than The Miseducation of Cameron Post. So, with that said, Boy Erased was better. Still, The Miseducation of Cameron Post was a more enjoyable movie that leaves you feeling more hopeful for those struggling with (and those not struggling with) same-sex attraction.
An upstart politician is seen with a woman who is not his wife. A scandal ensues. Would-be presidential candidate resigns amidst the controversy. Just because a story happens doesn’t mean you must make a movie about it. At best, Jason Reitman’s (Up in the Air, Young Adult) Gary Hart biopic should have been a straight-to-cable drop. But really, a 60-minute documentary on The History Channel or something would have sufficed. That’s not to say The Front Runner was a bad movie. Because it wasn’t, but it wasn’t a movie we needed. Reitman, a fantastic yet underrated director fresh off the incredibly impressive Tully with also such films as Juno and Thank You For Smoking among his credits, had no business involving himself with a movie that, no matter what he did, wasn’t going to register with the critics or with the audiences because: