Less than a month ago, I would have said Natalie Portman (Black Swan, Brothers) was the one lock for an Academy Award win. Her portrayal as the grieving Jacqueline Kennedy Onassis in the wake of her husband’s assassination by Lee Harvey Oswald. Portman just looked the part, and it felt like this was the role she was born to play. Portman is a fantastic actress who did an above-average job in Jackie. But this movie was so flat and depressing that I wonder if it will be enough to take out Emma Stone in La La Land, which has been gaining lots of steam in recent weeks. I’m not overly impressed when I look at this list of contenders for Best Actress. This helps Portman. This film only had to be pretty good to convince me she should win. Unfortunately, the movie did not live up to my expectations at all. While I learned a lot about Jackie Kennedy, her relationship with her family, the media, and the people of America, and the events that occurred on November 22, 1963, and the week afterward, this movie overall was very dark and dull. Though only an hour and a half, it felt like a three-hour snoozefest. It’s hard to recommend a film that felt more like a history lesson that you should be required to watch in your 11th-grade U.S. History class.

The movie is told in the form of flashbacks as Jackie gives a one-on-one interview with a journalist (Billy Crudup – Almost Famous, Spotlight) in the temporary home she is staying at in Massachusetts. One week after, her husband, John F. Kennedy, was killed while campaigning in Dallas, TX, for a second term as President of the United States. As most of us know, Jackie was sitting right next to her husband in the convertible when Lee Harvey Oswald fired two shots at the President, with the second one killing him. This movie features JFK, but only in a couple of scenes and only so briefly. So, really, there is a two-part focus.

Really, there is a two-part focus. First, the story revolves around Jackie’s actions in the minutes, hours, and days after the assassination. This is the heart of the movie. The second story centers around when, in 1962, Jackie is filming a 1962 special for CBS that allows the American people an inside look at The White House. Over 50 million people are expected to watch the special that Jackie narrates about some of the history of the building, some of the different rooms in the house, and many of its prized possessions. Jackie is coached before the special and reminded to smile and be personable in front of the camera.

Jackie is the ultimate First Lady, but sometimes she needs to be reminded how to play the part. This was the less exciting of the two stories. I don’t think we needed it. But even with that story, the movie reached less than 90 minutes. I didn’t imagine a film on Jackie Kennedy struggling to find enough content, but it was. This 1962 story in no way prepared you for the 1963 story. And it’s different from the 1962 story that was told before 1963. The two stories kept bouncing back and forth along with the present-day interview. Maybe director Pablo Larraín did this to show that Jackie was something before this incident, a woman in history who strove for her place among the other first ladies and didn’t want to portray her as the mourning woman whose decisions after her husband was killed were based on the complex emotions rather than a more sound rationale.

Jackie wanted her husband to be memorialized and remembered. She wanted a procession through the streets of Washington, DC, in the fashion of Abraham Lincoln. She was heard asking what people remembered of presidents William McKinley and James Garfield. When solid answers weren’t given, she would then ask the same question about Abraham Lincoln. And, of course, he was remembered for freeing the enslaved people. She wanted her husband to be remembered like Lincoln and not forgotten like McKinley or Garfield. And she seemed to get whatever she wanted despite the security risks.

As Kennedy’s brother Robert, the always enigmatic Peter Sarsgaard (Blue Jasmine, An Education) plays one of his most toned-down roles in years. He doesn’t appear until the film is halfway through, but he grandly inserts himself and is the opposite of Portman. Sarsgaard isn’t always my favorite actor, but he’s almost always very, very good. He’s been good at playing the bad guy recently, so it was nice to see him in a different role. He’s excellent in this movie. As mentioned, his performance as RFK was subdued. Robert was aching over the assassination of his brother but, like Jackie, was forced to make difficult decisions quickly about his brother. He and Jackie had a very close and unspoken relationship. Weirdly, it was as if these two characters were expecting this assassination to happen. I have no idea if this was the case in real life (Jackie did mention threats to the President and how JFK was constantly on ‘Wanted’ signs), but the two actors portrayed the characters this way.

Most of the movie revolves around Jackie trying to do the right thing following John’s death. Jackie wore the pain in every facial expression and everything she said. Her goal was to preserve his memory and remind the American people that he was a great man who would have done even more incredible things had he been given more time. I’m not sure she was a difficult person to be around, but it’s as if everyone in the cabinet was bending over backward to make her happy (even though they disagreed with her and talked to Robert to get her to change her mind). In the end, Jackie had control of the situation. Her decisions had a lasting impact on his ride through the city and his final destination at Arlington National Cemetary.

Accompanying Jackie’s plot was one of the darkest scores in years. String instruments, almost like a symphony, tied together each scene, darkening the movie. It felt like too much and made the film even more depressing. The scenery felt very 1960s in Washington, DC, and Dallas, TX.

This movie was boring. Other movies have featured Jackie Kennedy, including Jacqueline Bouvier Kennedy, A Woman Named Jackie, Grey Gardens, The Butler, and Jacqueline Bouvier Kennedy Onassis. This one portrayed Jackie differently than the others, and rightfully so. This was dark. Jackie had just lost her husband, and now she had to deal with it in a way that others would not be able to deal with the loss of theirs. She knew the American people were watching. The face she put on for the public was very different than the one she put on in private. Portman was excellent as Jackie. Good enough to win an Oscar? I don’t know. 2016 is weak in terms of leading performances by actresses, so there is a chance. She’d have a far better chance if the movie were better. I know it has a high score on Rotten Tomatoes (88%). But remember, that means that 9 out of 10 reviewers recommended the movie (not necessarily that they thought it was terrific). It was not a fantastic movie. It was serviceable for the die-hard moviegoers and those looking for a history lesson. I’m glad I saw it, but it was not the movie I expected it to be. I had much higher hopes.

Plot 8/10
Character Development 8/10
Character Chemistry 8/10
Acting 8/10
Screenplay 6/10
Directing 6/10
Cinematography 7.5/10
Sound 6/10 (the music was brooding and darkened the tone of the movie even more…it was often far too much)
Hook and Reel 6/10
Universal Relevance 10/10
73.5%

C

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• The Iron Lady
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• The Butler
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