Go ahead and now give the Academy Award for Best Lead Actor to Will Smith (Ali, The Pursuit of Happyness). It might not be a far-off assumption as we are on the cusp of Oscar season. I would wait to hedge my bets in Vegas entirely, but it might be worth taking a flyer without knowing much about the other players who might be up for the award. Smith gives the best performance in his storied career as Richard, the father of (then) future tennis greats Venus Williams and Serena Williams in Reinaldo Marcus Green’s (Joe Bell, Monsters and Men) King Richard.
King Richard excels at the first, part biopic, part sports movie, and falters at the latter. As I watched this movie, I was trying to think of a tennis movie I had seen before and hadn’t liked. While I have not seen many, the two most recent ones (Borg Vs. McEnroe, Battle of the Sexes) were riveting displays of on-court action. Even a lesser film, such as Wimbledon, was believable when its characters were on the court. In terms of the actual tennis in King Richard, a much-better-skilled cinematographer or CGI Specialist could have lifted this movie to the likes of the three mentioned above if that was the movie’s goal. I wouldn’t get as far as to say King Richard was more a movie based around sports (such as The Blind Side) than a sports movie itself, but this is much more a character study of Richard Williams than about his two rising tennis stars daughters.
Richard has been, at times, a polarizing individual in the world of pro tennis. While I didn’t know much about him before watching this movie, I knew he was in the spotlight much more than any other parent of a professional tennis player. Perhaps it was because he had two daughters who sometimes competed against one another in the most competitive tournaments in the world. Or maybe it was because his daughters were African American in a sport that white people heavily dominated. Or perhaps it was just because of his personality. There’s a good chance that all three (and likely many other factors) played a role. In either regard, he was a central figure in his daughters’ lives and the tennis world. King Richard portrays him as egocentric and stubborn and a loving father who is determined to create a quieter and safer life for his family, one that is both free from racism and gives girls an equal chance of success as boys.
Before they were born, he had a plan for Venus (Saniyya Sidney) and her 15-month younger sister Serena (Demi Singleton). They were each going to win Wimbledon and hold the spot as the top-ranked tennis player in the world. While his dream was admirable, it had flaws. Richard believed his way was always the best way, which made him a complicated man, at times, to deal with. There are periods when he feels that he has never received the respect he deserves or that the world is out to get him. It can make him standoffish, almost to the point where it doesn’t matter how good his teenage daughters might be because of how hard he is to deal with. However, his wife Brandy (Aunjanue Ellis – The Birth of a Nation, The Help) does have a calming influence over him, as she believes in his plan as much as he does. She often reassures him to trust the process and to try to see the good in all human beings.
The film never crosses the threshold of good to great. It’s an entertaining movie that many should see, including all tennis fans or fans of the Williams sisters. However, the film wanted to be more serious than it ended up being. It is very much a drama. While it excels at parts, it needed to dig deeper into the surface. By this, I mean that Richard did some pretty audacious things throughout the movie. I won’t give anything away with the specifics, but some are outlandish and taken with a grain of salt by the other parties involved. I wanted Green to get deeper into the complexity of Richard’s character rather than just leaving everything just above the surface. We were able to see his drive and reasoning in full effect. But I wanted to see more pushback when his demands were considered unreasonable or unjust. Instead, we received awkward glances from the parties involved before an offscreen conclusion led us to the movie’s next act. Green pulled away when many of us wanted to see him dig in deeper. Inspirational, tender, and personable, King Richard has a lot of good going for it. However, it shied away from some of the more serious subject matter. I don’t want to call it uncourageous, but it lacked some substance that would have allowed it to stand apart from a standard cookie-cutter Disney-like film.
Plot 8/10
Character Development 7.5/10
Character Chemistry 8/10
Acting 9.5/10
Screenplay 7.5/10
Directing 7.5/10
Cinematography 7/10
Sound 7.5/10
Hook and Reel 9/10
Universal Relevance 9.5/10
80.5%
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