Tom Hardy (The Dark Knight Rises, Warrior) is quickly establishing himself as a leading man in Hollywood. Since really coming onto the radar after 2010’s Inception, Hardy went on to win audiences over in the surprisingly good Warrior before donning a mask as Bane and becoming 2012 biggest villain in The Dark Knight Rises. In a movie full of top-notch acting, Hardy turns in the performance of his young career in John Hillcoat’s (The Road, The Proposition) Lawless.
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The Other Guys (2010)
It’s not going to get on many Top 10 lists (especially when released in 2010, the best year for movie releases in my lifetime), but The Other Guys is fun. One of my only complaints about the great year for movies that was 2010 was that it lacked a great horror film and a great comedy. Though I have not seen it, I thought Get Him To The Greek might be the comedy movie I was looking for. While that is a movie I will still watch, it no longer has the potential to be the top comedy of 2010. I believe that ranking belongs to The Other Guys.
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Narc (2002)
Jason Patric can play a police detective as well as anyone can. Patric would have been excellent on a show like The Shield. Seeing Patric in a reoccurring role and watching him delve deeper and deeper into his character, regardless of which direction that character might have gone, would have been something special. But Patrick has always been, and probably always will be, a silver-screen performer. He is undoubtedly not an A-lister, and his role has become few and far between. But, outside of Speed 2: Cruise Control, he always brings his A-game. For Patric, that involves grit, determination, and a deep understanding of the character he will be portraying. In my opinion, Patric was born to play the roles of undercover detectives, police officers, narcs, etc. He’s got the look. He understands the lingo. He’s scuzzy enough to pull it off but can invoke just the right amount of sympathy for viewers to believe in him and know that he’s one of the “good guys.”
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The Bourne Legacy (2012)
Fans of the Jason Bourne Trilogy (The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum) will, in all likelihood, enjoy The Matt Damon-less The Bourne Legacy. However, I’m wondering how many new fans this movie will attract. Director Tony Gilroy (Michael Clayton, Duplicity) repeatedly references Jason Bourne in this movie. Those looking to enter the franchise and think that this is the right time because Jeremy Renner (The Town, The Hurt Locker) is cast in the lead role instead of Damon will be disappointed if they don’t do their homework ahead of time. I would have been very frustrated watching this movie without seeing the other three first. I would have wanted to understand better what was going on. In The Bourne Legacy, Gilroy doesn’t seem interested in recapping a story that has already been told. You are out of luck if you have not seen a previous Bourne movie or need to research. Gilroy feels it’s not his job to keep you informed. For those wishing to see this movie without seeing any of the predecessors or if it has been a while since you’ve seen The Bourne Ultimatum, I suggest you visit this site first. The Bourne Legacy Primer: Five Things to Know Before Seeing the Franchise’s Latest Flick – E! Online. Even if you saw The Bourne Ultimatum the night before seeing this movie, I’d recommend checking out this link. It won’t hurt to do so.
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What Doesn’t Kill You (2008)
According to the website www.boxofficemojo.com, the Mark Ruffalo/Ethan Hawke crime drama earned just $44,872 in the theaters. Even if both its two lead stars plus the talented Amanda Peet (Identity, The Whole Nine Yards) agreed to work for free, this movie still did not come close to earning back what it cost to produce. Usually, when you’ve never heard of a film, especially one in which both its lead stars have each been nominated for an Academy Award before you see it on DVD, it’s because the movie stunk. Most of those involved with the film would rather it go unnoticed. This is probably accurate 90% of the time. What Doesn’t Kill You falls into that other 10%. The story isn’t new. We’ve seen the same story played out hundreds of times on the screen (including even a couple of movies involving Ethan Hawke that fall along those lines). There was nothing that particularly stood out in terms of the plot. Sure, the fact that it was based on a true story strengthens its cause. But still, the old man involved with crime and drugs, trying to turn around his life for his family, but struggling to do so is nothing new. So how does this movie break through that threshold and be one of those movies you remember? It was the acting.
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