Crazy, Stupid, Love. is a terrific, lighthearted romantic comedy. In many of my reviews, I’ve stated that 2010 was the best year for movie releases, despite not having that one super scary or laugh-out-loud funny movie that you would expect a great year to have, I have also noted this to be the case. While 2011 has yet to come close to measuring up to 2010 (based on what I’ve been seeing/reading about the fall/award season releases), it has had some good movies. It’s had three films already that I would put in my Top 20 comedies of all time. I don’t think any of these are in that Top 10 range, but
Horrible Bosses,
The Hangover Part 2, and
Crazy, Stupid, Love. All fall into that second tier. I believe
Bridesmaids will also fall into this group once I see it. In terms of pure comedy,
Crazy, Stupid, Love. doesn’t have as many laughs until your stomach hurts movies, but I would say that it is the best overall movie in this group. This movie had the potential to be great, but like many good movies that don’t reach that elevated status, there is a flaw in the screenplay that is very hard to ignore.
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As long as there is an opportunity for profit, classic movies will continue to be redone, rebooted, and have unneeded sequels attached. That is a fact of life. If you hope this doesn’t happen to your favorite movie because you don’t want the original tarnished, don’t hold your breath. It’s not a question of if but a matter of when. The original Texas Chainsaw Massacre (released in 1974 and directed by Tobe Hooper – Salem’s Lot, Poltergeist) is one of those classics. It’s a film beloved by critics and audiences alike. It’s become a cult movie that almost all moviegoers (horror fans or not) will undoubtedly see at least once. When we hear the name Leatherface, we instantly visualize a deformed madman chasing unsuspecting teens through the woods with a chainsaw. There have been and will continue to be sequels, remakes, and other movies that hope to ride the coattails of the original Texas Chainsaw Massacre.
In 2011’s Horrible Bosses, four of this decade’s best actors (Kevin Spacey, Jamie Foxx, Jennifer Aniston, and Collin Farrell) take a backseat to the film’s three stars. The plot of this movie revolves around three friends. Nick (Jason Bateman – Juno, television’s Arrested Development), Kurt (Jason Sudeikis – 
To say that Michael McGowan’s One Week suffered from the wrong movie/wrong time syndrome would be an understatement. Much like the beautiful movie Walk The Line, Joaquin Phoenix’s performance and the film were overshadowed by Jamie Foxx’s Ray, which came out a year earlier. From most critics’ perspectives, Ray was a slightly better movie. While Phoenix received a Best Actor Academy Award nomination, there was no chance he would win it because Foxx won the award a year before. The Academy wasn’t going to reward essentially the same movie with a nearly identical lead performance. The unfortunate part was that these movies were based on legendary actors (Johnny Cash in Walk The Line, Ray Charles in Ray), and each actor portrayed each man correctly.
I would have seen it years ago if I had been made aware of how great Edward Zwick’s movie was. I had always known About Last Night was an 80’s classic, but I associated it with cheesy teenage comedies like The Breakfast Club, St. Elmo’s Fire, and Pretty in Pink. And while those movies have a certain charm, I put them all into the same category. By association, I also classified About Last Night with those movies because of the stars Rob Lowe and Demi Moore. Over time, I, for whatever reason, associated the plot with two people who met, had a wild night of sex, and then spent the rest of the movie regretting that decision. This story didn’t interest me either. I’ve seen that movie play out hundreds of times on the screen. Had I not stumbled upon About Last Night on cable one night, I might never have seen it. Had I not, I may have forever missed out on a good movie.