Perhaps based on these first two paragraphs, you know what happens next. Maybe you do not. I don’t think it spoils anything by saying that Ila’s lunches don’t go to\u00a0Rajeev. The\u00a0dabbawala accidentally delivers Ila’s meals to Fernandes. This is the movie’s foundation, and I will leave it at that. I’ve included below the scoring of this movie. I’ve offered a little more if you want to check it out AFTER you watch the movie. If you read it beforehand, it most certainly will spoil things for you.<\/p>\n
The Lunchbox <\/i>is not your typical Bollywood movie. There’s no dancing. There is little singing. There isn’t the idealistic\u00a0view on life, love, and the pursuit of happiness that many of us might associate with films made in India. This movie is more serious in delivery and darker in tone. The visuals, however, are just as stunning as you would expect in a Bollywood film. The best use of the visuals is through preparing and consuming Ila’s meals. The food looks so good that it makes us wish we were eating it rather than just watching it on screen. You could argue that the film’s three-person characters are Fernandes, Ila, and the lunchbox. The lunchbox serves as the intermediary between the man and the woman. It is what connects the two beings. I encourage you to see this movie if you are a fan of either foreign language movies or artsy movies. I would also recommend it to people who love a good story. I would also recommend it to people who love movies about people searching for love.<\/div>\nPlot 9\/10
\nCharacter Development 10\/10 (slow and steady…we never really know what’s coming next…I had no idea how this movie would end even as it approached its final scenes)
\nCharacter Chemistry 9\/10 (Siddiqui is an annoyance, but that’s what his character is supposed to be)
\nActing 10\/10 (Khan is a master of his trade…it won’t be long before we start seeing Kaur more frequently on the screen)
\nScreenplay 10\/10
\nDirecting \u00a010\/10 (masterful debut for\u00a0Ritesh Batra)
\nCinematography 8.5\/10 (the backdrop of Mumbai is excellent…the locations of each scene do feel slightly\u00a0cramped, though…it does make us feel like we are watching through a lens at times rather than up close and personal)
\nSound 9.5\/10 (there is happy singing on the buses and the streets one minute followed by an eerie silence the next…the cuts, at times, are choppy, but that adds to the quality of this film)
\nHook and Reel 8.5\/10 (took a few minutes to get into the subtitle mood)
\nUniversal Relevance 10\/10
\n93.5%bandon<\/p>\n
So this movie was fantastic. It was very believable. And you are left with lots of questions. It returns to the quote,\u00a0“Sometimes the wrong train\u00a0will get\u00a0you to the right station.” The\u00a0dabbawala serves as the train.\u00a0Rajeev is the station the train is supposed to go to, but the train ends up going to Fernandes instead. The two lonely people slowly fall in love without ever meeting face. It’s as if they were presented with an opportunity at a happiness long after that opportunity has passed them by. But rather than embracing the chance, they begin to question it. Fernandes is particularly guilty since it was he who was the one who backed out of the face-to-face meeting. He asked how a young, beautiful\u00a0woman could be attracted to someone like him. Also, he questions whether he deserves to be happy. He’s lost his passion for his life before his wife passed away. And here Ila is, wondering why he walked away from her as soon as he saw her. She is willing to abandon her entire life for a chance to be with him. Receiving his note is the highlight of each of her days. She doesn’t quite understand why he would just up and leave when he thought they had a real connection.<\/p>\n
Sometimes love doesn’t make sense. Sometimes we question love. Sometimes even when love does make sense, we question it. Sometimes we question love too much that it eventually goes away. Love is not perfect. Love can be patient, but it’s not going to wait forever. The end of the movie is up for interpretation. I guess how you interpret its ending is, perhaps, your outlook on love. I would hope that Fernandes and Ila find each other. While I think this movie is believable, I think that maybe Ila continued to try a little too hard after Fernandes walked away before the two had a chance to meet and then moved without really saying goodbye. It felt, at that point, that things weren’t 50\/50. Maybe Fernandes might not be worth it, and Ila should turn her focus towards someone or something else. The ending all happened a little too quickly. These are only my minor gripes with the movie.<\/p>\n\n
![\"the](\"https:\/\/365moviesbyday.bryanbuser.com\/wp-content\/uploads\/2014\/09\/the-lunch-box-204x300.jpg\")
“Sometimes, the wrong train\u00a0will get\u00a0you to the right station.” \u00a0These yearning words of wisdom spoken so matter-of-factly by Ila (Nimrat Kaur –\u00a0One Night With the King<\/em>), a lonely yet hopeful housewife\u00a0in\u00a0Ritesh Batra’s directorial debut,\u00a0The Lunchbox<\/em>, quite simply the best movie through the first eight months of 2014. I am uncertain if this movie will be nominated for a Best Foreign Language Academy Award. I hope it will be so that more people will know about it. If it is not, I am not sure I would have ever known about it, let alone see it, if not recommended by my friend David. It further reinforces my appreciation for movie recommendations.