{"id":1973,"date":"2015-08-09T03:22:32","date_gmt":"2015-08-09T03:22:32","guid":{"rendered":"http:\/\/www.bryanbuser.com\/365moviesbyday\/?p=1973"},"modified":"2022-02-05T01:13:52","modified_gmt":"2022-02-05T01:13:52","slug":"the-gift","status":"publish","type":"post","link":"https:\/\/365moviesbyday.bryanbuser.com\/the-gift\/","title":{"rendered":"The Gift (2015)"},"content":{"rendered":"

Joel Edgerton’s (Warrior<\/a><\/em>,\u00a0Exodus: Gods and Kings<\/a><\/i>) The Gift is easily the surprise hit of the summer. Creepy and suspenseful, this movie is a clinic on developing characters and entrenching viewers fully into the storyline. I saw the film in a probably 75% full theater, and you could hear a pin drop during the film’s quieter moments. Everyone was all-in on the story, and nobody seemed to know where it was headed because of the oohs and aahs at each new twist. Based on its 93% fresh rating on Rotten Tomatoes, I did not doubt this movie would be good. However, I did not watch a preview beforehand (purposefully), nor did I know anything about the film other than when somebody said the night before my viewing that they heard it had a crazy twist. Therefore, before I get into my review, I would suggest stopping reading and avoiding as much reading or trailer-watching as possible about the film. Long story short, see the movie.
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I had no idea who Edgerton was before I saw 2011’s\u00a0Warrior<\/a><\/em>, a movie that I thought was going to fall into all of the cliches of a boxing\/fighting film and would end up being laughable. I based this on a series of trailers that didn’t offer anything that I thought I hadn’t seen before, as well as the cast. The only actor I had heard of at the time was a washed-up Nick Nolte who, as it turned out, was perfect for the film. I need no idea who this Joel Edgerton was, nor had I heard of some new kid on the street named Tom Hardy. But, boy, has times changed in four years. Edgerton and Hardy are both getting to the level of elite. And the fact that Edgerton wrote this magnificent screenplay and also went behind the camera for the first time in his career while also delivering a knockout performance has me in absolute awe at the moment. Maybe I’ll forget about this movie more quickly than I think, but it is resonating with me right now. Though there are MANY more potential great movies to come out this year,\u00a0The Gift<\/em>\u00a0is the third movie (along with\u00a0Ex-Machina<\/a><\/em>\u00a0and\u00a0Southpaw<\/a><\/em>) that I believe has a legitimate chance to finish in my end-of-year Top 10 list.<\/p>\n

One of the things you might wonder if you have seen the previews or heard the buzz is if this movie is scary. While it certainly is not a horror, it will have you jumping a handful of times. Edgerton’s portrayal of social outcast Gordo is so incredibly excellent that you’re wondering to the bitter end of\u00a0the film if he’s a good guy or a bad guy. There are so many twists in this movie that\u00a0M\u00a0Night Shyamalan would be impressed. When you think you’ve got this thing figured out, guess again. And it’s not that the film is difficult to follow (as an aside, I’m not too fond of movies that are difficult to follow or are set out to confuse you purposefully). It’s just that Edgerton’s has crafted something so uniquely original with his screenplay and then was able to convey his vision to his two leads and have their performance exactly on cue with what he was going for was so remarkable that, regardless of how the film would end, that you were watching something pretty darn special.<\/p>\n

I’ve been saying for more than a year now that I think Jason Bateman (Juno,\u00a0Up in the Air<\/a><\/em>) has a Best Actor Academy Award win in him during his lifetime. Many will chuckle, and I would have chuckled a few years ago myself. He’s been mostly a comedic actor and not the hugest of names.\u00a0Arrested Development<\/em>\u00a0put him on the map again after many years of being out of the limelight. And he’s been able to capitalize on that success with other comedies such as\u00a0Horrible Bosses<\/a>, The Switch, The Change-Up<\/em>, and\u00a0Identity Thief<\/em>. But he’s also shown the ability to play characters that aren’t nearly as likable as characters he plays in his comedies. He’s proven he can play “the jerk” just as well as anyone. I believe there is some script in the future that has his name all over it that will land him in a\u00a0serious discussion for the most significant acting awards. I believe it will be a drama, and he’ll play some father figure who has to deal with considerable diversity. The role will bring out his depth as an actor even more. But that is in the future. In the present, he nailed his performance as a high achieving, though slightly arrogant businessman and devoted husband Simon in\u00a0The Gift<\/em>. Much like Edgerton, it’s impressive just how much we learned about his character and how his character evolved in one hour and 45 minutes.<\/p>\n

And Rebecca Hall (Transcendence<\/a>,\u00a0Everything Must Go<\/a><\/em>) continues to deliver. The best actress you’ve never heard of continues to tackle roles that require more and more out of her. As Ben Affleck’s love interest in\u00a0The Town<\/em>, Hall’s portrayal of Claire was one of the main reasons why this is my favorite movie of all time. Sure, Affleck and Jeremy Renner had some say in that too, but this movie introduced me to her. In\u00a0The Gift<\/em>, Hall plays Simon’s wife, Robyn. We see the movie mainly through her eyes. There are probably less than a handful of scenes that she is not in, and in the scenes that she is in, for the most part, we see how things play out from her vantage point. Her portrayal of Robyn is never a perfect woman (though she is beautiful and seems completely put together at the start of the film). Her insecurities almost manifest themselves as the story develops, and they get to the point where she begins feeling paranoid about everything and is scared to live her life.<\/p>\n

So now that you know about the characters, I’ll ever touch briefly on the story. Simon and Robyn move from a small condo in the middle of downtown Chicago to restart their lives after Simon gets a corporate job in a very successful security systems firm. They move into a beautiful house in the suburbs of a large city in California (presumably Los Angeles), which is very close to where Simon grew up. In one of the film’s first scenes, he is identified at a department store by Gordo (Edgerton). The two men went to high school together and graduated in the same class. Simon doesn’t remember Gordo as they first start talking, but then the memories come back to him. The two rekindle their acquaintanceship, and before long, Gordo is making house visits to Simon and Robyn’s home. From the very first scene, we know something is not quite right with Gordo, but we can’t place a finger if it’s a good weird or a bad weird. As audience members, we are conditioned to believe it’s a bad weird because if it were a good weird, would this movie be classified as a suspense\/mystery? The pacing of the film is perfect. As mentioned in earlier paragraphs, I don’t know how Edgerton, as the director, made us identify with each character so quickly in such a short period. There aren’t many first-time directors out there who get it right as well as he did with this movie.<\/p>\n

As the movie progresses, the story starts to develop as we imagine it. But as soon as we think we’ve figured it out, it goes in a different direction. The characters change in profound ways. The time frame for this movie from start to finish is probably about a year. Some scenes occur one day after the next, but then others have months between them, but we never feel lost. Again, this can be attributed to Edgerton’s familiarity with all aspects of his story. I hope others notice just how masterful he was in all aspects of this movie. The cinematography was beautiful. The music was eerie. The way that he was able to work in periods of silence and delay the climax of some of the more suspenseful scenes was Alfred Hitchcock-like. I know I’m throwing powerful analogies all over this review, but I was just so impressed with Edgerton. I thought his career-defining film would be\u00a0Warrior<\/a><\/em>, but an hour into this movie, I realized that\u00a0The Gift<\/em>\u00a0is what we will compare all future movies to for the remainder of his career. And this is a good thing.<\/p>\n

There are so many reasons to love this film as an independent entity. Maybe it is the story itself. Perhaps it is all of the unique twists that happen along the way. Maybe it’s the edge of your seat freight when you anticipate something ominous happening, and Edgerton waits until the perfect time to drop it on your lap. Maybe it’s the acting. Or perhaps it’s the incredible character development. Any of these reasons alone would make this a good film. However, the fact that it had all of these things made it the must-see movie of the summer. So far, the only movie in 2015 that I would recommend above this movie would be\u00a0Ex-Machina<\/a><\/em>, but, personally, when you add everything up,\u00a0The Gift<\/em>\u00a0was the better movie. With all of the big blockbusters this summer,\u00a0The Gift<\/em>\u00a0is the movie you’ve got to see.<\/p>\n

Plot 10\/10
\nCharacter Development 10\/10
\nCharacter Chemistry 10\/10
\nActing 10\/10
\nScreenplay 10\/10
\nDirecting \u00a010\/10
\nCinematography 10\/10
\nSound 10\/10
\nHook and Reel 10\/10
\nUniversal Relevance 10\/10
\n100%<\/p>\n

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