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How does one make a basketball movie in 2020 that isn’t quickly compared to\u00a0Hoosiers, Coach Carter, Glory Road,\u00a0<\/em>and\u00a0Hurricane Season<\/em><\/a>, not to mention the many other films centered around a sports team facing some adverse situation? Sometimes, when you see the trailers for the first time of a movie like Gavin O’Connor’s (The Accountant<\/a>,\u00a0Warrior<\/a><\/em>)\u00a0The Way Back,\u00a0<\/em>you kind of grain, thinking, “Here we go again. How are we supposed to get something different from this movie?” But he was unequivocably able to do that. Admittedly, this movie could have been better in terms of its script and the conditions of its sequencing. Still, its parts made up for its, sometimes, lack of cohesiveness and left you feeling hopeful in a movie that you expected to find hope, albeit in a much different way.<\/p>\n<\/p>\n
The Way Back<\/i>\u00a0is a good movie that suffers quite a bit from its order of events. We learn early that our protagonist, Jack Cunningham (Gone Girl<\/a>,\u00a0The Town<\/a><\/em>), is an alcoholic. In one scene, we watch him drink an entire case (24 cans) of beer in one night. He has some anger issues, though he is not violent. But we don’t know why. We learn later on his reason for his anger, his depression, and his drinking. I admire O’Connor’s efforts to keep his thoughts a secret. Unfortunately, it doesn’t work for me. It happens way too late. We had too many teases before that, but none of them worked. However, when we learn of his reasons, it sheds light on his reasons for feeling the way he feels and doing what he does to numb the pain.<\/p>\n The other problem occurred when he was hired as head coach of the Catholic school, where he set individual playing records in the late ’90s. Jack has quick success, even though he has no coaching experience and hasn’t picked up a basketball in 20 years. But that’s not the main problem. The main problem is that his other issues seem to disappear. While I understand his devotion to becoming the best coach he can be and getting his players to be the best players they can be, alcohol addiction cannot be ignored. Yet it is. The transition between basketball and his personal life is inconsistent, if not completely forgotten. It doesn’t work. And the basketball isn’t even that great compared to the movies in my opening paragraph. However, the character development and even character differentiation are very good, which often can be difficult when there are so many different characters, especially in a sports movie where many characters are the same age. But what works best in this movie is his connection with his players and their connection with him. He’s hard on them, and they respect him for it. They are a group that requires discipline and wants to win. And now they have a coach who can give the former and wants the latter.<\/p>\n As mentioned, Cunningham’s problems were forgotten during his basketball team’s success. And that can’t be the case. While certain things can be put on hold, a disease like alcoholism is not one of them, at least not without some help. Yet, we seem to go weeks without referencing his private life. And while he certainly is a functioning alcoholic, I didn’t think the movie should have steered so far away from his time after basketball practice or his time on the weekends.<\/p>\n The Way Back<\/em>\u00a0definitely deserved its R rating, and I was delighted that O’Connor went in this direction. We needed the adult themes. And we certainly needed Cunningham’s profanity, which starkly contrasted the ideals of the Catholic school he was coaching. Assistant coach Dan (Al Madrigal) attempts to confront him on this issue but too quickly shies away.<\/p>\n Ultimately,\u00a0The Way Back<\/em>\u00a0is a success, but getting there takes a long time. What you think is going to happen doesn’t necessarily happen. It does, to an extent, but there are detours along the way and an ending that I didn’t see coming. While the end felt rushed (almost as if O’Connor needed something to escalate Cunningham’s drinking problem), it was still effective. This is a basketball movie, but it’s much more about its protagonist (often the coach\/manager in a sports movie) than it is about the sport itself. It certainly isn’t\u00a0Hoosiers<\/em>\u00a0or\u00a0Coach Carter<\/em>, but it is a solid basketball movie that fans of the sport or Affleck will enjoy. I recommend it for sure.<\/p>\n Plot 8.5\/10 B<\/p>\n Movies You Might Like If You Liked This Movie<\/strong><\/p>\n How does one make a basketball movie in 2020 that isn’t quickly compared to\u00a0Hoosiers, Coach Carter, Glory Road,\u00a0and\u00a0Hurricane Season, not to mention the many other films centered around a sports team facing some adverse situation? Sometimes, when you see the trailers for the first time of a movie like Gavin O’Connor’s (The Accountant,\u00a0Warrior)\u00a0The Way Back,\u00a0you … Continue reading The Way Back (2020)<\/span> ![\"the](\"https:\/\/365moviesbyday.bryanbuser.com\/wp-content\/uploads\/2020\/03\/the-way-back-1.jpg\")
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\nCharacter Development 9\/10
\nCharacter Chemistry 8\/10
\nActing 8\/10
\nScreenplay 7\/10
\nDirecting 7\/10
\nCinematography 7\/10
\nSound 10\/10
\nHook and Reel 8.5\/10
\nUniversal Relevance 8.5\/10
\n81.5%<\/p>\n\n