Women Talking. That’s entirely what this movie was. Women talking. A more intelligent person than me would have known ahead of time. However, my decision was based on the months of anticipation surrounding this movie’s Oscar-time release and the outstanding critic (90%) and audience (86%) scores it has received. Women Talking was an all-too-familiar example of a movie receiving a Christmas-time release to be as fresh as possible at the start of the awards season, failing to meet its hype. While a good film, Women Talking offers little originality. Sadly, it isn’t very memorable.
Category Archives: Jessie Buckley
The Lost Daughter (2021)
Oliva Coleman (The Favourite, The Father) continues her recent run of extraordinary performances in Maggie Gyllenhaal’s directorial debut, The Lost Daughter, a movie about the pressures of motherhood. Set in the present day on an unnamed Greek island. Leda (Coleman), a divorced Italian Literature professor from the United States, is on a solo vacation at a lower-level seaside holiday rental managed by the affable and a tad eccentric Lyle (Ed Harris – The Abyss, The Hours). When first meeting Lyle, we think he might be in the movie; you might feel you are in store for another of Harris’s outstanding performances. But, unfortunately, he’s not much of a factor, and I wonder why he even chose to take this role.
Beast (2018)
The best thing I can say about Michael Pearce’s Beast (in a movie that is rife with good things) is that I can’t think of a movie where an unknown director directing his first feature-length film (Pearce), an unknown lead actress, starring in her first film (Jessie Buckley) and an unknown lead actor, starring in, really his first film (Johnny Flynn – Love Is Thicker Than Water) have excelled more. The direction is purposeful, stylistic, and detailed. At the same time, the performances between the leads are combustible. The story is rich enough to carry you from the starting line to the checkered flag in a movie that ultimately failed to live up to its initial promise, due mostly to errors in editing and an overall storyline that might have been a tad ambitious for this novice in their craft. It’s a difficult movie to recommend if you’re not a hardcore independent movie film buff. But, if, like me, you try to watch anything that comes close to looking like an intense, original, emotional drama, this movie will fill that need. And even if you leave feeling a little unsatisfied, you’ll leave knowing that the director and both leads left everything they had on the floor. If nothing else, it’ll encourage you to look for future films that any of these three people might be involved with.
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