Category Archives: Reese Witherspoon

American Psycho (2000)

My recent apparent 2020 trend of alternating between Christian Bale, Denzel Washington, and Russell Crowe movies continues with my review of Mary Harron 2000’s cult classic American Psycho. In his first lead role, this film introduced an experienced but still grossly undiscovered Bale (The FighterFord v Ferrari) to the screen.

American Psycho seems like a movie that most people have seen. If you haven’t seen it, you’ve at least heard of it. I’ve seen it three or four times, and each time, I think I will end up liking it more than the time before. And that’s not saying a lot because I wouldn’t say I liked it the first time I saw it and got upset with myself for watching it every four or five years. I want it to be good. It’s just not. The main reason is that it is too obscure. I’m not too fond of zany or batty. I also sometimes like everything laid out before me, so I don’t have to think. American Psycho makes you think, but you have to think too hard, and then you wonder if what you thought was correct or wasn’t anywhere close to being what Harron intended.

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The Good Lie (2014)

“Inspired by true events” versus “this is a true story” are two very different things. The first could mean anything. It’s harder to get upset when you find out fact and fiction don’t always meet eye to eye. However, when told that what you are about to see is a true story only to find out later that facts (both minor and major) have changed along the way, you have the right to get a bit more upset. Actual events inspire The Good Lie. And while they bring light to a critical issue, the character story was primarily fictional, as far as I can tell. Now, this brings up an interesting conversation. Would you rather see a strictly factual movie that doesn’t tell the most exciting story or one based on an actual situation but has, for the most part, specific characters and specific conditions that are more fictionalized? I’m careful with what to write here, not because I’m worried that I’ll give away any spoilers, but because I don’t want to knock a movie that I thought was good. And I guess heartwarming might not even be the best choice of words here because the main characters in this movie went through horrific situations throughout their lives. But if the story was all doom and gloom, would it attract the audience a story like The Good Lie hopes to attract? You want to shed light on specific issues while also offering hope. That is what this movie does. Nonetheless, I think the topic is open for debate because I believe a tiny percentage of the stories related to the brutal 1983 Civil War between Northern and Southern Sudan ended as positively as the story told in The Good Lie.
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Wild (2014)

Wild seems to be the type of movie I am drawn to these days. Recently, I’ve been going for heavy dramas, movies about self-discovery, films with acting performances that are Oscar-worthy, and movies based on true stories. Wild had all four of these things, yet it was a dissatisfying movie. It was not a bad movie, but it was severely flawed. And the idea that it could earn so many award nominations this year (though I’m predicting it will earn none) shows just how weak this year has been for movies.
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Mud (2013)

mud movie posterBack in 1996, adaptations from John Grisham novels were the big thing. Tom Cruise starred in The Firm. Denzel Washington and Julia Roberts starred in The Pelican Brief. Susan Sarandon and Tommy Lee Jones starred in The Client. All were critically acclaimed and performed exceptionally well at the box office. A Time To Kill was Grisham’s first novel and the next the fourth to be adapted for film. Arguably, it is Grisham’s best novel, and the buzz surrounding the film was tremendous. A host of Hollywood A-listers wanted the lead role of Jack Brigance. The question was who would get the lead in the movie that also starred Sandra Bullock, Ashley Judd, Samuel L. Jackson, and Kevin Spacey. There was a lot of head-shaking when the lead part went to a little-known actor named Matthew McConaughey (Frailty, Amistad). McConaughey nailed the role, and the movie was critically acclaimed and earned over $100 million domestically. The film put McConaughey on the map, and many considered the part of Jack Brigance the role he was born to play.
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