It isn’t so much that Alice, Darling, the feature-length directorial debut of Mary Nighy, was a good movie nor an enjoyable watch, but rather how it remains in your mind long after its watch. It’s both a timely and timeless movie about emotional abuse, told exclusively through the eyes of a victim amid the turmoil, but having no sense of what to do about it or even if she knows if she’s genuinely experiencing this abuse. In this regard, the movie hits on all cylinders, even when it misses almost everything else.