I love a good story about drug or alcohol addiction. And I love great actors who constantly bring it in their roles. So I had super high expectations for Felix Van Groeningen Beautiful Boy, the true story of the relationship between an 18-year-old son (Timothée Chalamet – Call Me By Your Name, Hostiles) battling drugs and his father (Steve Carell – Foxcatcher, Battle of the Sexes) who is willing to do anything to fix the problem, but is unsuccessful in all of his attempts. The trailer definitely made it seem like my type of movie. I should have been wary of the 67% fresh score on Rotten Tomatoes, but I was encouraged by the 77% audience score. But as I watched this from the lens of a critic, I kept circling back to the same question. If you had these actors in place, you could have done hundreds, even thousands, of different stories about addiction. So why did they pick this story? It wasn’t anything special. It lacked vision. Van Groeningen, as a novice director, was completely in over his head, and he wasted the performance of both of its leads by telling a story of a story that wasn’t unique, was stale in its delivery, and left us feeling unattached to its characters. In a word, Beautiful Boy underwhelmed.
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Category Archives: Addiction
Allied (2016)
While a 65% fresh score on Rotten Tomatoes suggests a movie should be checked out, sometimes you wonder why the score isn’t higher. Allied, the Robert Zemeckis (Back to the Future, The Walk) World War II love story set in both Casablanca and London about two intelligence officers from opposite sides of the world says a lot. The movie, set in both Casablanca and London, has been loosely referred to as Mr. and Mrs. Smith (because of Brad Pitt) meets Casablanca. While I understand the reference, this is far from the truth. I was not too fond of either of these other movies. Casablanca is one of the greatest movies of all time (yawn), but I really enjoyed Allied.
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Fury (2014)
David Ayer’s (Harsh Times, End of Watch) Fury is a mix of bits and pieces from about every war movie you’ve ever seen. It’s Saving Private Ryan meets Apocalypse Now meets Black Hawk Down meets platoon sprinkled in with a little bit of The Perfect Storm (nonwar movie). It unsuccessfully tries to tug on your emotions while trying to tell fragments of stories about each of the five main characters. If you were to just read spoilers for this movie, you might think this movie is fantastic. The trailer makes the film look incredible.
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Flight (2012)
For as terrific an actor as Denzel Washington is (and he is one of the absolute best), he makes many movies. And very often, he plays a cop or detective. As a result, some of these movies and his performances get lost in the shuffle. When I think of his performances in Unstoppable, The Taking of Pelham 123, Deja Vu, Man on Fire, and Out of Time, I think of one big blend. Outside of Man on Fire, the performances don’t stand out. And while his performance in Man on Fire is brilliant, it would have been better remembered had it not been lumped with these other, lesser, movies. With that said, his performance in Flight is one of his best performances and will be remembered for a long time.
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Narc (2002)
Jason Patric can play a police detective as well as anyone can. Patric would have been excellent on a show like The Shield. Seeing Patric in a reoccurring role and watching him delve deeper and deeper into his character, regardless of which direction that character might have gone, would have been something special. But Patrick has always been, and probably always will be, a silver-screen performer. He is undoubtedly not an A-lister, and his role has become few and far between. But, outside of Speed 2: Cruise Control, he always brings his A-game. For Patric, that involves grit, determination, and a deep understanding of the character he will be portraying. In my opinion, Patric was born to play the roles of undercover detectives, police officers, narcs, etc. He’s got the look. He understands the lingo. He’s scuzzy enough to pull it off but can invoke just the right amount of sympathy for viewers to believe in him and know that he’s one of the “good guys.”
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