More often than not, I enjoy movies, television shows, books, and music dealing with addiction. When a show, a song, an autobiography, etc., effectively chronicles the compulsive and desperate realities of substance abuse, I will give it my undivided attention. When a character adeptly captures the euphoria of being drunk, high, or stoned, followed by the bleak and inpatient hopelessness that awaits when that high wears off, I am reminded of how prevalent, powerful, and relentless addiction is. Two critically limited series (Dopesick – 2022 and Painkiller – 2023) brought pharmaceutical pill addiction to the forefront in ways that film or television hadn’t before. The ability to tell an addiction story over 8-10 one-hour-long episodes allows a director more opportunity to delve into the depths of the disease while allowing for deep character examinations. That is not to say that a film that centers around addiction can’t be captivating. Numerous examples have shown this. Unfortunately, Zach Braff’s (Garden State, Wish I Was Here) well-intentioned A Good Person was not one of them.
Category Archives: Addiction
Rush (1991)
I wish Jason Patric (Downloading Nancy, Sleepers) would have landed a leading role on a gritty premium cable detective show (think of a darker True Detective that spanned multiple seasons with the same cast). His two best roles are that of an undercover narcotics officer willing to bend the law for the greater good. The first is the underrated Narc, a 2002 film that paired him opposite Ray Liotta. Eleven years earlier, Lili Fini Zanuck’s Rush further defined him as one of the most talented up-and-coming actors, following leading roles in movies like The Lost Boys, The Beast, and After Dark, My Sweet.
Four Good Days (2020)
I sure did want to like Four Good Days, Rodrigo Garcia’s (Albert Nobbs, Passengers) Heroin-recovery-centered drama co-starring (Mila Kunis – Black Swan, The Book of Eli), and Glenn Close (Dangerous Liaisons, Fatal Attraction). It had everything I wanted in my heaving-hitting addiction dramas. It had a strung-out lead in 31-year-old Molly (Kunis) and that one person that, hopefully, all people have who will do anything to save this person they so dearly love. In this case, it is Molly’s mother, Deb (Close). The elements were in place for this to be a movie that knocked it out of the park. However, it was so severely flawed that it sometimes inadvertently detracted from the story it was trying to tell. As much as I struggled with its flimsy screenplay, its miscasting of Deb with Close, and its peculiar ending, it stuck with me so much that I wanted to go home immediately after watching it to review it. There is zero percent chance that Four Good Days ends in my 2020 Top Ten Movies of the Year list, but I fully imagine that I will remember every little bit about this movie at the end of the year as I do today (May 6th), and not for the wrong reasons.
Rachel Getting Married (2008)
To say that the Jonathan Demme-directed Rachel Getting Married is the role that Anne Hathaway (The Princess Diaries, Love and Other Drugs) could be considered by the ultimate compliment and, simultaneously, something that you hope isn’t true. I say that for a couple of reasons. First of all, if this is her crowning achievement, then what a movie to hang your hat on. With all due respect to 2012’s Les Miserables, Hathaway’s one performance as, of the end of 2018, that has earned her an Academy Award win, I personally have a difficult time comparing that movie to Rachel Getting Married for no other reason than because, while I have from time to time, I don’t typically review musicals. Much like documentaries or animated movies that I never review, I don’t know if I have a lot of insight or much that I can offer when it comes to a singing film. With that said, I did review Les Miserables and found Hathaway’s scene-stealing performance as Fantine to be the highlight of a movie and a story that I enjoy. But, to me, it didn’t compare to the powerhouse delivery she delivered four years earlier in her first Oscar-nominated performance as 25-year-old Kym, a recovering drug and alcohol addict current living in a treatment recovery program who is given a weekend release so that she can partake in the festivities of her older sister wedding in the infrequently seen Rachel Getting Married. The second reason that I hope this is not her career-defining performance is that, at the time of this writing in January 2019, Hathway is just 36 years old and already has a Best Lead Actress Oscar nomination (for this movie) and a Best Supporting Actress Oscar win. My fear, though, is that it’s been six years since she’s done a film of that nature or magnitude and the trajectory of her career seems to be leaning towards more fun, crowd-pleasing, and revenue inducing roles (The Intern, Oceans 8, Alice Through the Looking Glass, Rio, Rio 2, etc.) than some of the thicker, heavier stuff that earned her early critical acclaim. However, as I look at her IMDB page, she already has a movie called The Lifeboat scheduled for a 2024 release.
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Ben is Back (2018)
Lucas Hedges (Lady Bird, Three Billboards Outside of Ebbing, Missouri) had much early Oscar buzz surrounding his name for his work in Boy Erased. I was as hyped as anyone for that movie and that performance. As I had mentioned in my review of it, Boy Erased was based on a book that I had read before I even knew that there was a movie to be made on it (which NEVER happens). I liked the book and appreciated it being adapted into a movie. It deals with a controversial issue that I have somewhat strong thoughts on, and I was curious to see how it played out on film. And with a cast of Hedges, Nicole Kidman, Joel Edgerton, and Russell Crowe, I thought it would be a Top 10 contender for sure. However, it completely underwhelmed, and Hedges’ performance in the film was not as great as I expected. I did not expect Hedges to dominate every screen he was in during two other 2018 performances after the release of that October. However, he was fantastic as the bully of an older brother in the handful of scenes he was in Mid90s (a film that had no other name actors besides him. And he let the screen on fire, matching Hollywood’s finest actress over the last 25 years in Julia Roberts (August Osage County, Erin Brokovich) in the under-the-radar, poignant Ben is Back.
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