I wish Jason Patric (Downloading Nancy, Sleepers) would have landed a leading role on a gritty premium cable detective show (think of a darker True Detective that spanned multiple seasons with the same cast). His two best roles are that of an undercover narcotics officer willing to bend the law for the greater good. The first is the underrated Narc, a 2002 film that paired him opposite Ray Liotta. Eleven years earlier, Lili Fini Zanuck’s Rush further defined him as one of the most talented up-and-coming actors, following leading roles in movies like The Lost Boys, The Beast, and After Dark, My Sweet.
Category Archives: Crime
Zodiac (2007)
Jake Gyllenhaal (Nightcrawler, Stronger) makes every movie he is in better than it would otherwise be, regardless of it it’s a great movie, a terrible movie, or anything in between. Director David Fincher (Se7en, The Social Network) doesn’t make bad films. With Gyllenhaal and Fincher together, along with an ensemble that includes Robert Downey Jr. (Iron Man 3, Natural Born Killers), Mark Ruffalo (Foxcatcher, Spotlight), Anthony Edwards (Top Gun, NBC’s ER), Dermot Mulroney (My Best Friend’s Wedding, Young Guns), Brian Cox, (The Ring, HBO’s Succession), and John Carroll Lynch (The Trial of the Chicago 7, Jackie), Zodiac was bound for success. While the film connected on all fronts, it felt like it left something to be desired, though this would undoubtedly be true for anyone familiar with the story.
Breaking (2022)
Abi Damaris Corbin’s quiet feature debut, Breaking, is a movie that does everything Nick Cassavetes’s disaster John Q failed to do when it managed to make $71 million domestically in 2002. Of all the things Denzel Washington has saved in his movies (subways, jets, submarines, locomotive trains), holding up a hospital and forcing a doctor to perform life-saving surgery on his son was, by far, his worst. Unfortunately, Washington’s always-solid performance couldn’t save an absurd script based on a ridiculous presence. The based-on-a-true-story Breaking offers breakout performances by Corbin and the film’s lead, John Boyega (Detroit, The Woman King), most notably recognized for his role as Finn in the latest Star Wars movies.
Emily the Criminal (2022)
One of my life’s little joys is seeing a listing of a previously unheard-of movie playing at one of my local theaters when I’m scanning over showtimes on a Friday as I plan for my weekend. The promotional poster is often enough for me to click and learn more. I’m even more intrigued when there are high critic and audience scores. The promotional poster and the scores encourage me, if nothing else, to watch the trailer. That was what I did with John Patton Ford’s debut feature. It took just 30 seconds before I stopped the trailer. I was convinced. Emily the Criminal was a movie that I needed to see.
Assault on Precinct 13 (1976)
It feels rare when the same person likes an original movie and its remake. Often, it seems like if a person likes the original, they are resistant, even disgruntled, to giving the remake a chance. I am the first to say that I fall into this group. Two of the biggest ones are the remakes of Point Break (2015 – 11% critics, 29% fresh on Rotten Tomatoes) and Flatliners (2017 – 4%, 32%), two of my all-time favorite movies. Likewise, there are times when we watch the remake without ever having seen the original. We like the remake so much that we don’t want to see the original because we either don’t feel the need or think it can be compared.