The crowning achievement on Robin Williams’ storied career is not the Mork and Mindy sitcom where he was first discovered. It’s not the numerous leading roles for which he was recognized with Best Lead Actor Academy Awards (Good Morning, Vietnam, The Fisher King, Dead Poets Society). It was not in the numerous timeless comedies that we’ll be watching for ages (Mrs. Doubtfire, The Birdcage, Jack, Robots, Night at the Smithsonian, Jumanji). It’s not for his creepingly effective turns in movies like Insomnia, One Hour Photo, The Night Listener, or heartwarming dramas such as Awakenings. Heck, it was not as the voice of The Genie in Aladdin. Instead, it is a community college professor who has not been able to move on from his life after losing his wife to cancer in Gus Van Sant’s (Milk, Drugstore Cowboy) surprise 1997 hit Good Will Hunting. Nevertheless, the film earned Williams the only Oscar of his career. And, you know what…he’s not even the best part of this movie.
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Category Archives: Ben Affleck
Live by Night (2016)
For the last three or four years, I’ve said that I think and hope that Ben Affleck can be our generation’s Clint Eastwood. Affleck has completely transformed himself into a Hollywood A-lister. With a career that really began with Kevin Smith movies like Mallrats and Chasing Amy, Affleck became a household name when he won an Academy Award (best original screenplay) for Good Will Hunting, a film in which he co-starred with Matt Damon. Affleck then stars in big-budget blockbusters such as Armageddon, Pearl Harbor, and The Sum of All Fears. But after he started dating Jennifer Lopez and co-starred with her in both the forgettable Jersey Girl and Gigli, a movie that many people have called one of the worst movies ever made, his perception as an actor began taking a turn for the worse. Forgettable money grabbers like Daredevil, Paycheck, and Surviving Christmas accompanied tabloid fodder and, seemingly, in the blink of an eye, Affleck became sort of a joke in the Hollywood circles. Meanwhile, best friend Matt Damon was striking gold with everything he touched. But in 2007, Affleck dabbled with directing for the first time and had one of the best directorial debuts of all-time with the quiet, understated, and much revered Gone Baby Gone. Knowing he needed a break from being in front of the camera, Affleck turned to his brother Casey Affleck as his leading man. Not only did it launch Casey’s career, but critics and fans alike wanted to know if Ben was a one-hit-wonder as a director or if this was a sign of things to come. Fortunately, this was just the start for Affleck, who has since directed The Town (my second favorite movie of all time), and Argo, the Academy Award Winner for Best Picture of 2012. Affleck also reemerged as a leading man with The Town, Argo, State of Play, and the amazing Gone Girl. In all honesty, Affleck was due for a dud. But, personally, I felt like I owed it to him to see whatever his fourth movie behind the camera would be. I was excited about Live by Night when I first heard about it, but I went in with lower expectations after seeing the critics’ score of 33% and the audience’s score of 57% on Rotten Tomatoes. While this easily was his worst movie as a director, it wasn’t bad, but rather because his other movies were so good. I didn’t love Live by Night, but I by no means disliked it. It was longer than it needed to be and had a couple of too many storylines. But Affleck created a well-crafted story with some memorable characters, and, honestly, I’ll probably watch this movie again when it comes to Netflix so I can better analyze it and catch all of the parts that I might have missed.
Batman V Superman: Dawn of Justice (2016)
What do you need to know about Batman V Superman: Dawn of Justice that you haven’t already been told? This has easily been the most hyped movie of 2016 so far. In fact, there may not be another movie all year that receives this kind of publicity. And rightfully saw. This film pits arguably the most recognizable superheroes in the world against one another for the first time. If you saw a movie in the theater at any point between, say, November 2015 and March 2016, you likely saw a preview for this film. The preview does such a great job of not really letting us know who is the good guy and the bad guy. When we think we figure it out, we see a trailer portrayed in a completely different light. Marvel is doing the same thing with Iron Man and Captain America for the trailers of Captain America: Civil War (maybe even more effectively than the movie being reviewed today). It is interesting. It is even more interesting that these two rival companies are releasing these movies so close to one another. You could make the argument that Marvel could have waited until Batman V Superman: Dawn of Justice was released and then learned from any mistakes made while also capitalizing on what the Warner Brothers movie did well. But, as we know, that we have delayed production and would have probably pushed this movie to a release date to the beginning of 2018 at the earliest.
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Gone Girl (2014)
Halfway through Gone Girl, I thought I was watching this year’s movie to beat. It had everything I wanted in a terse murder mystery/thriller. First, it had the small town file (which I love). We know who the main potential suspect may be from the film’s opening minutes. But this likely suspect may also be the film’s protagonist. And we are left guessing about his guilt or innocence throughout most of the film. We like him. We don’t like him. We hate him. We love him. We go through the gamut of emotions, leaving us exhausted as we sit on the edge of our seats. But the movie unravels in the last 45 minutes with more absurdities than a Jim Carrey movie. Suddenly this well-thought-out thriller becomes a bit of a mockery of itself in an attempt to separate it from other whodunit movies.
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School Ties (1992)
In many ways, Robert Mandel’s (F/X, The Substitute) School Ties is a timeless movie. Released in 1992, this movie, set around a prep school in the 1950s, is just as entertaining and essential 20 years after it was release date as it would have been if it had been, had it been released 20 years before. It revolves around a school’s honor code which has been, is, and always will be a topic that strikes at our inner core. We all view an honor code differently. We always have and will always continue to. For some of us, it’s a governing body that is more important than any criminal law. For others, it is something we sweep under the rug and forget about as quickly as we are informed about it. For most of us, it is something in between and can cause our thoughts to vary about it, to some degree, depending on time, place, and circumstance.
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