Ben Affleck continues to prove that he is the closest person, past or present, with a chance (however slight) to unthrone Clint Eastwood as the greatest actor/director combo ever. It will take a herculean effort to unseat Eastwood’s five Oscar nominations for directing (wins for Unforgiven and Million Dollar Baby) to go along with over 35 other directing credits, as well as nearly 60 acting credits. Affleck, at just 50 years of age, very well could surpass Eastwood’s acting credits, but another 35 directing credits seems like a stretch. Air is Affleck’s fifth feature-length film. Three of his previous four (Gone Baby Gone, The Town, Argo) have resonated strongly with critics and audiences, while his fourth (Live By Night) wasn’t that far of a drop-off. What’s great about Affleck as a director is his drive and creativity. The staples of his directed movies are taut scripts, formidable, seasoned casts, and expert artisans (cinematographers, sound engineers, production designers) who he allows the freedom to shine. Air delivers on all fronts. It’s a movie that would be difficult not to enjoy.
Category Archives: Chris Tucker
Billy Lynn’s Long Halftime Walk (2016)
Billy Lynn’s Long Halftime Walk is not your typical Ang Lee (Lust, Caution, Hulk) film. It doesn’t have the effortless flow near the sweeping landscapes of Crouching Tiger, Hidden Dragon, Life of Pi, or Brokeback Mountain. While these three movies netted the legendary director three Best Director Academy Award nominations, including two wins, Billy Lynn’s Long Halftime Walk likely will not earn him nomination number four. It’s awkward and clumsy at times. It has unnecessary elements in it. And, most importantly, it lacks any immediate or emotional impact that the trailers lead you to believe that it has. The premise felt very much like Clint Eastwood’s Flags of Our Father. I expected much more with each of these movies than what was delivered. Nevertheless, there were some good things about Billy Lynn’s Long Halftime Walk. It is much better than its current 43% fresh rating on Rotten Tomatoes.
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