Almost perfect. While it may not even end up in my top five movies of the year, Tom Ford’s (A Single Man) Nocturnal Animals was almost perfect. I liked it so much in this movie, and Ford almost created a masterpiece, but the movie just felt short. An A- for sure. Maybe even an A. But it won’t be the 49th movie that I’ve seen that I would classify as an A+. Jake Gyllenhaal (Love and Other Drugs, Everest) is better than ever, and he could end up with an Oscar nomination for this film. In a perfect world, he would, especially since he very well may have been the odd man out both in 2015 (Nightcrawler) and 2016 (Southpaw) for a Best Actor Academy Award. But with four of the five slots pretty much locked up (Tom Hanks – Sully, Denzel Washington – Fences, Casey Affleck – Manchester by the Sea, Joel Edgerton (Loving), that leaves only one more nomination between Gyllenhaal, Ryan Gosling (La La Land), Warren Beatty (Rules Don’t Apply), and Andrew Garfield (Hacksaw Ridge). And, to be honest, while his performance was great, it wasn’t nearly the performance he gave in either Nightcrawler or Southpaw. Ford’s chances for a Best Directing nod look even dimmer, and an impressive performance by Amy Adams (The Fighter, American Hustle) may be completely overlooked because she will likely receive a nomination (and may even be the frontrunner) for Arrival, a movie that was released just a week before Nocturnal Animals.
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