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Triple 9 (2016)

If you watched season 1 of HBO’s True Detective and you were as much of a fan of the six-minute single-shot shootout scene that ended episode four’s (titled Who Goes There) as I was, you might just very well like John Hillcoat’s (The RoadLawless) underappreciated Triple 9. Likewise, if you watch Game of Thrones and found the intense battle between the Jon Snow led wildlings and the white walkers at the end of season five, episode eight (titled Hardhome) as the best single scene in the history of the show, you might just very well like the star-studded Triple 9. If I had trusted my instincts and not those of the critics, I would have been able to appreciate this gem of a popcorn flick on the big screen. Instead, I let the movie pass through the theaters, knowing I would see it eventually at home, but convincing myself that, despite the awesome previous, I would be disappointed by this movie. One of my colleagues at work recently asked why I hadn’t told her to see Triple 9, knowing that it was a movie right up my wheelhouse. She was really the first person I actually knew who had seen the movie. So I feel obligated early on in this review to match this movie with an audience that can best appreciate it. If you like the intensity that comes with a bank robbery movie (my two favorite bank robbery movies are The Town, which is my second favorite movie ever, and the original Point Break), I can’t think of a reason that you wouldn’t like Triple 9. There are plenty of underlying storylines, but just like those two movies, Triple 9 refuses to take its foot off the accelerator and doesn’t confuse its audiences by undervaluing the ferocity of its story by wasting even a single scene that isn’t relevant to its story. In 2016, you almost needed a caveat when talking about movies. So while Captain America: Civil War is the best movie to be released in the first five months of the year, the best non-superhero movie is Triple 9.
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