According to the website www.boxofficemojo.com, the Mark Ruffalo/Ethan Hawke crime drama earned just $44,872 in the theaters. Even if both its two lead stars plus the talented Amanda Peet (Identity, The Whole Nine Yards) agreed to work for free, this movie still did not come close to earning back what it cost to produce. Usually, when you’ve never heard of a film, especially one in which both its lead stars have each been nominated for an Academy Award before you see it on DVD, it’s because the movie stunk. Most of those involved with the film would rather it go unnoticed. This is probably accurate 90% of the time. What Doesn’t Kill You falls into that other 10%. The story isn’t new. We’ve seen the same story played out hundreds of times on the screen (including even a couple of movies involving Ethan Hawke that fall along those lines). There was nothing that particularly stood out in terms of the plot. Sure, the fact that it was based on a true story strengthens its cause. But still, the old man involved with crime and drugs, trying to turn around his life for his family, but struggling to do so is nothing new. So how does this movie break through that threshold and be one of those movies you remember? It was the acting.
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Category Archives: 2008
The Wrestler (2008)
Darren Aronofsky’s (Black Swan, The Fountain) The Wrestler was my most anticipated movie of 2008. Professional wrestling is my guilty pleasure. I don’t watch it every week, and I never order a pay-per-view (okay, maybe Wrestlemania now and then), but I know what is happening. I also have a few compilation DVDs of some of my favorite wrestlers. World Wrestling Entertainment (WWE) really is a soap opera in an alternative form. When I first heard a movie coming out called The Wrestler, I figured it would be some lame comedy that made fun of the world of professional wrestling. When I heard that it was not, but was being referred to as not just one of the top 10 movies of the year but the performance of Mickey Rourke’s (A Prayer For The Dying, 9 1/2 Weeks ) career, I knew it was a movie I would see just as quickly as I could. The main problem was that I had to wait forever to see it. It was only filmed in cities like New York and Los Angeles for the longest period. Once it came closer to Washington DC, it was still in just one theater which was not very close to my house. Finally, some two months after dying to see the movie, I got my wish when it came to our local artsy theater. By then, the film could not live up to its hype.
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Revolutionary Road (2008)
Leonardo DiCaprio (Gangs of New York, The Departed) and Kate Winslet (The Reader, Little Children) reunite for the first time since they smashed the box office record as Jack and Rose in 1997’s Titanic. Revolutionary Road is also a love story, but it’s about a couple falling out of love rather than falling in love. Both are superb in this movie. It is easy to identify with each of their characters. And while Winslet and especially DiCaprio are at the top of their game, they are overshadowed by two scene-stealing scenes involving Michael Shannon (Before the Devil Knows Your Dead, Take Shelter). Shannon plays the mentally unstable son of their real estate agent, friend Helen (Kathy Bates – Misery, Dolores Claiborne), and her husband. Michael has no filter between his brain and his mouth and thus tells anyone and everyone exactly what he is thinking at any given moment. This is not a good thing, as Michael’s outlook on life and people, in general, is as pessimistic as one can be. It creates moments of intensified drama resulting in unfiltered anger. Rightfully so, Shannon was nominated for a Best Supporting Actor Academy Award (the award went to Heath Ledger for his role as The Joker in The Dark Knight), even though he was on the screen for fewer than 15 minutes.
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Deception (2008)
Continuing to get my Michelle Williams (Blue Valentine, Incendiary) fix, I caught the directorial debut of Marcel Langenegger, 2008’s Deception. While captivating initially with its slow, almost methodical building of suspense, this movie ultimately tries to outsmart itself by offering twist after twist after twist. By the time the movie crawled to its conclusion, we either figured out the twists, or they were so far-fetched and ridiculous that we didn’t care about them.
Incendiary (2008)
After watching Blue Valentine about 5 or 6 times within my first month of owning it and then re-watching Brokeback Mountain a couple of months ago (the first time I saw it was in the movie theater), I’ve been itching to go on a Michelle Williams streak. I had no idea her filmography was already so long, and while I’m not going to watch some of the films very early on in her career (such as Halloween H20 or But I’m a Cheerleader), I’m anxious to see the movies she’s starred in since her Dawson’s Creek days. One of those movies was Sharon Maguire’s (in just her second directorial effort, following the highly popular Bridget Jones’s Diary) Incendiary.