No Country for Old Men is the most well-received and critically acclaimed adaptation of a Cormac McCarthy (my favorite author) novel. There have been six. The Road is, by far, my favorite McCarthy novel and a movie masterpiece. The others are the slightly underrated All the Pretty Horses, the disappointing box office flop The Counselor, the virtually unseen Child of God, and The Sunset Limited, a film I still need to see. No Country for Old Men is the only McCarthy-adapted film to receive an Oscar, earning eight nominations and four wins, including the first nomination and win in Best Achievement in Directing for Hollywood darlings Joel and Ethan Coen.
Category Archives: 2008
Lakeview Terrace (2008)
In the mold of great thrillers like Unlawful Entry, The Hand That Rocks the Cradle, Sleeping With the Enemy, Pacific Heights, Single White Female, and Deceived comes Neil LaBute’s (Death at a Funeral, The Wicker Man) 2008’s underappreciated Lakeview Terrace. This is a movie designed to elicit powerful reactions among its audiences. While this movie never felt that farfetched (until maybe its final scenes), it seems less like a fictional story than I believed it to be, given what we see daily about racism and racial violence as I write this in 2020.
Transsiberian (2008)
At eight days, the Transsiberian Express from Beijing to Moscow is the longest train journey in the world. So why wouldn’t it be the perfect backdrop to one of the most suspenseful journeys in quite some time? Paul Anderson’s (Beirut, The Machinist) presents the Transsiberian in a way that makes you think of Alfred Hitchcock. It’s dark. It’s moody. It’s twisted. It’s purposeful. It’s rooted. It’s intense. It makes you feel like a fellow passenger on this train, watching everything unfold next to you rather than on a screen projected in front of you. Oh. And it’s cold. It’s like an Arctic cold. We feel that sense of dread in the deepest of winter in the coldest places. Yet, it never feels like we are even close to approaching freezing. So it certainly adds to the ambiance of our film.
Rachel Getting Married (2008)
To say that the Jonathan Demme-directed Rachel Getting Married is the role that Anne Hathaway (The Princess Diaries, Love and Other Drugs) could be considered by the ultimate compliment and, simultaneously, something that you hope isn’t true. I say that for a couple of reasons. First of all, if this is her crowning achievement, then what a movie to hang your hat on. With all due respect to 2012’s Les Miserables, Hathaway’s one performance as, of the end of 2018, that has earned her an Academy Award win, I personally have a difficult time comparing that movie to Rachel Getting Married for no other reason than because, while I have from time to time, I don’t typically review musicals. Much like documentaries or animated movies that I never review, I don’t know if I have a lot of insight or much that I can offer when it comes to a singing film. With that said, I did review Les Miserables and found Hathaway’s scene-stealing performance as Fantine to be the highlight of a movie and a story that I enjoy. But, to me, it didn’t compare to the powerhouse delivery she delivered four years earlier in her first Oscar-nominated performance as 25-year-old Kym, a recovering drug and alcohol addict current living in a treatment recovery program who is given a weekend release so that she can partake in the festivities of her older sister wedding in the infrequently seen Rachel Getting Married. The second reason that I hope this is not her career-defining performance is that, at the time of this writing in January 2019, Hathway is just 36 years old and already has a Best Lead Actress Oscar nomination (for this movie) and a Best Supporting Actress Oscar win. My fear, though, is that it’s been six years since she’s done a film of that nature or magnitude and the trajectory of her career seems to be leaning towards more fun, crowd-pleasing, and revenue inducing roles (The Intern, Oceans 8, Alice Through the Looking Glass, Rio, Rio 2, etc.) than some of the thicker, heavier stuff that earned her early critical acclaim. However, as I look at her IMDB page, she already has a movie called The Lifeboat scheduled for a 2024 release.
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The Curious Case of Benjamin Button (2008)
Sure David Fincher’s (Fight Club, Se7en) The Curious Case of Benjamin Button is Forrest Gump meets Legends of the Fall. But that doesn’t mean it isn’t a great movie. I saw this movie opening weekend six years ago and remember being intrigued by the premise but not exactly sure how I’d react to it. The trailer was superb, and Brad Pitt is excellent in almost everything he does. This movie was screaming Academy Award Nomination for him, and this would prove to be his first Best Actor nod. I’m also very high on Fincher and Cate Blanchett (Blue Jasmine, Elizabeth: The Golden Age). At nearly three hours, this movie is way much too long, but, at the same time, I’m not exactly sure what I would cut it out. To me, each scene is integral to the story. And while Forrest Gump achieved more critical acclaim (6 Academy Awards including Best Picture and Best Actor and six other nominations), The Curious Case of Benjamin Button fared very well (3 wins and ten more nominations). Are the stories similar? They are. And while Brad Pitt’s character in this movie isn’t quite the same as his character in Legends of the Fall, his Benjamin Button character does follow many of the same fight versus flight battles that Tristan faced. If I had to rank these three movies, I think I would still go Forrest Gump first, Legends of the Fall second, and The Curious Case of Benjamin Button, but that is one heck of a list. All three of these movies currently rank in my All-Time top 125, and I think each of these movies will continue to stand the test of time, meaning I don’t see these movies sliding down as I revise my list yearly.
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