Subtitled movies don’t bother me as much as they used to. There used to be a day when I would only watch a subtitled film if someone forced me to watch one in one of my high school classes. I wouldn’t go as far as to say that I seek out movies with subtitles, but I no longer instantly reject them. In fact, before watching Leaving (Partir), I watched two other Kristin Scott Thomas French subtitled movies (Tell No One) e le Dis à Personne and (I’ve Loved You So Long) Il y a Longtemps que Je T’aime. I was a huge fan of I’ve Loved You So Long. I would have enjoyed Tell No One more had I been paying more attention to it. I may be willing to give it another chance one day. This brings up my next point with subtitled movies. If you hope to get anything out of a subtitled film, you’ve got to devote your 100% attention. I did that with I’ve Loved You So Long, and I did that with 2009’s Leaving as well.
Insidious was one of the few horror movies that lived up to the hype. It seems like any “horror” flick can make a trailer that looks exciting and terrifying. However, a select few can duplicate the rush you feel when you see the preview for the first time. It’s even rarer when a horror flick can come up as an original idea that hasn’t been duplicated dozens of times. I’ve probably seen 50 new horror movies that have since 2000. I felt bored by many of those movies, a feeling of been there/done that, not remotely scared, and sometimes even cheated.
Original review – September 18, 2011 | Updated review August 12, 2013
Updated review****
This movie is a classic. I had a couple of original problems based on my initial view. The preview made it seem like it would be a completely different movie. I hadn’t prepared myself for the violence or all of the overlapping storylines that were going on. I thought I would watch Ryan Gosling drive bad guys around and avoid the police. The movie trailer is essentially the film’s first five minutes (nothing more, nothing less). I expected something different, which is why my initial review was lower than it is now.
I loved Gosling and Mulligan. I loved the way the unspoken attraction they had for one another. I loved how Gosling did everything he could, not getting attached to somebody he couldn’t just walk away from in five minutes, but how circumstances kept driving them together to the point where he would do anything to keep them happy and safe.
Young Guns was easily my favorite movie for about five years. Seeing it again in 2011, after not having watched it in probably a decade, caused me to ask myself a few questions. The first was, “How is it that I know every line in this movie word for word, but I can’t name half of the presidents of the United States or half of the US state capitals?” The second was, “How was this movie my favorite movie when it came out in 1988 if I wasn’t allowed to see rated R movies until I was sixteen?” I was more perplexed in figuring out the answer to the second question than I was in the first. The answer to the first one was easy. I knew every line of the movie word for word because I’ve watched it over 100 times. Looking at my current list of movies (yes, I have a directory ranking every movie I’ve ever seen), I see that Young Guns is still in the Top 25 and thus receives a rating of A+. The next time I update this list, I will move Young Guns closer to the Top 10. It’s a fantastic movie. If I saw it today for the first time, I doubt I would evaluate it as relatively high, but I can’t push away all of the memories this most recent viewing evoked.
As long as there is an opportunity for profit, classic movies will continue to be redone, rebooted, and have unneeded sequels attached. That is a fact of life. If you hope this doesn’t happen to your favorite movie because you don’t want the original tarnished, don’t hold your breath. It’s not a question of if but a matter of when. The original Texas Chainsaw Massacre (released in 1974 and directed by Tobe Hooper – Salem’s Lot, Poltergeist) is one of those classics. It’s a film beloved by critics and audiences alike. It’s become a cult movie that almost all moviegoers (horror fans or not) will undoubtedly see at least once. When we hear the name Leatherface, we instantly visualize a deformed madman chasing unsuspecting teens through the woods with a chainsaw. There have been and will continue to be sequels, remakes, and other movies that hope to ride the coattails of the original Texas Chainsaw Massacre.
Subtitled movies don’t bother me as much as they used to. There used to be a day when I would only watch a subtitled film if someone forced me to watch one in one of my high school classes. I wouldn’t go as far as to say that I seek out movies with subtitles, but I no longer instantly reject them. In fact, before watching Leaving (Partir), I watched two other Kristin Scott Thomas French subtitled movies (Tell No One) e le Dis à Personne and (I’ve Loved You So Long) Il y a Longtemps que Je T’aime. I was a huge fan of I’ve Loved You So Long. I would have enjoyed Tell No One more had I been paying more attention to it. I may be willing to give it another chance one day. This brings up my next point with subtitled movies. If you hope to get anything out of a subtitled film, you’ve got to devote your 100% attention. I did that with I’ve Loved You So Long, and I did that with 2009’s Leaving as well.
Insidious was one of the few horror movies that lived up to the hype. It seems like any “horror” flick can make a trailer that looks exciting and terrifying. However, a select few can duplicate the rush you feel when you see the preview for the first time. It’s even rarer when a horror flick can come up as an original idea that hasn’t been duplicated dozens of times. I’ve probably seen 50 new horror movies that have since 2000. I felt bored by many of those movies, a feeling of been there/done that, not remotely scared, and sometimes even cheated.
Original review – September 18, 2011 | Updated review August 12, 2013
What is there to say about a perfect movie?
As long as there is an opportunity for profit, classic movies will continue to be redone, rebooted, and have unneeded sequels attached. That is a fact of life. If you hope this doesn’t happen to your favorite movie because you don’t want the original tarnished, don’t hold your breath. It’s not a question of if but a matter of when. The original Texas Chainsaw Massacre (released in 1974 and directed by Tobe Hooper – Salem’s Lot, Poltergeist) is one of those classics. It’s a film beloved by critics and audiences alike. It’s become a cult movie that almost all moviegoers (horror fans or not) will undoubtedly see at least once. When we hear the name Leatherface, we instantly visualize a deformed madman chasing unsuspecting teens through the woods with a chainsaw. There have been and will continue to be sequels, remakes, and other movies that hope to ride the coattails of the original Texas Chainsaw Massacre.