If you aren’t in the mood for a heavy-hitting movie, stay away from Mark Herman’s 2008 World War II-based drama The Boy In the Striped Pajamas. It stars newcomer Asa Butterfield (The Wolfman, Nanny McPhee Returns) as eight-year-old Bruno, the son of a predominant Nazi official. Despite his protests, he is forced to move from the comforts of his Berlin home to the outskirts of the country so that his father can be closer to the concentration camps that he has been a part of organizing and running.
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Wedding Crashers (2005)
While I admit that I am probably one of the last people on earth to watch Wedding Crashers, I will say that I had it in my possession for over three years. I bought it previously viewed for $5 at Blockbuster a long while ago. It was never a question of if I would watch Wedding Crashers, but just a question of when. When discussing the best comedies of all time, many people (especially people my age and younger) will list Wedding Crashers in the first two or three movies they mention. When I tell them I haven’t seen it yet, I get the response, “Of all the movies you’ve seen, you’ve never seen Wedding Crashers?” So, much like the movie I most recently reviewed (The Green Mile), my expectations for Wedding Crashers were almost unrealistic. However, much like The Green Mile, the movie lived up to the hype. I’m not ready to put it into a top-five comedy of all time, but I will safely put it in the top ten.
The Green Mile (1999)
The Green Mile was Frank Darabont’s (The Mist, The Majestic) first movie following The Shawshank Redemption, a riveting prison movie that has found a permanent spot on many critics and movie fan’s top ten of all-time lists. The expectations were high for The Green Mile, if not altogether unrealistic. Like The Shawshank Redemption, this movie was set almost exclusively in prison. Like The Shawshank Redemption, this movie was based on a Stephen King novel. Like The Shawshank Redemption, this movie was set somewhere in middle America, reasonably close to the time frame of World War I, though neither of these movies ever really talks about any war. The Green Mile was set in 1932, while The Shawshank Redemption was set in 1946. The expectations for The Green Mile might have been unrealistic. I say this because of the reasons mentioned above, but also because it starred Tom Hanks (Forrest Gump, Philadelphia), Hollywood’s #1 leading man at the time, who was fresh off of receiving his 5th Academy Award Nomination for Best Actor after his performance in Saving Private Ryan. While The Green Mile is not as good as The Shawshank Redemption (my favorite film of all time, at the time of this review), it is still an incredible movie that everybody should see at least once.
The Crazies (2010)
I had one primary reason for watching this movie: Timothy Olyphant was the star. Olyphant was an actor I had not even heard of one year ago. F/X had a new show this season called Justified, and Olyphant was the star. I gave the show a chance. It hooked me from the first scene in the first episode. There are many reasons why I like the television show, but one of those is Olyphant. He plays the role of US Marshall well. So, I have been looking back at Olyphant’s filmography and saw he had the leading role in The Crazies. I like Olyphant, and horror movies generally perk my interest, so checking this film out was a no-brainer.
Half Nelson (2006)
Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts, but with deep flaws that prohibit his characters from achieving greatness. Whether it be his quick Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts but with deep flaws that prohibit these characters from achieving greatness. Whether it be his quick temper, drinking, or lack of ambition in Blue Valentine, his unbelievably extreme case of social anxiety in Lars and the Real Girl, or his much too overly confident posture in Fracture, Gosling plays characters that you root for at one moment and sympathize with the next. At the same time, you are trying to figure out how he gets so entrenched in each of his roles. If you have not seen any of the movies mentioned above, do so. You’ll be in for a treat. If you want to see his best performance to date, check out Ryan Fleck’s (Sugar, It’s Kind of a Funny Story) highly under-appreciated Half Nelson. Now, I say highly under-appreciated loosely. Half Nelson has received a 90% fresh rating on Rotten Tomatoes but only $2.6 million at the box office, a somewhat disappointing number.