Takers, John Luessenhop’s first attempt at a big-budget movie, falls flat on its face before it ever gets going. Takers is an entirely unoriginal, formulaic, good guys versus bad guys movie. It’s one of those movies where the trailer tells a better story than the actual film. With a cast that includes Matt Dillon (There’s Something About Mary, Wild Things), Idris Elba (HBO’s The Wire, Obsessed), Paul Walker (Joy Ride, Running Scared), T.I. (American Gangster, ATL), Hayden Christensen (Star Wars: Revenge of the Sith, Jumper), and Jay Hernandez (Friday Night Lights, Hostel), among others, I thought that at least I’d be entertained with the acting. Heck, the R&B singer Chris Brown was even in this movie.
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The Nines (2007)
The Nines did nothing to convince me that Ryan Reynolds (The Proposal, The Amityville Horror) is the great actor many consider him to be. I’m still waiting on one Ryan Reynolds movie that I enjoy. I’m expecting I will enjoy The Green Lantern, but my enjoyment of this movie might be despite Ryan Reynolds and not because of him. I also suspect I will enjoy Buried when I watch it. I have heard good things about his performance in that movie. As for now, Ryan Reynolds did nothing in The Nines to improve my perception of him as a lead actor.
Salt (2010)
The one thing I kept focusing on during my viewing of Salt was that this movie was written specifically with the idea that Tom Cruise would be playing the lead role. Instead, Cruise opted to co-star with Cameron Diaz in the romantic adventure Knight and Day. And while Knight and Day was pleasantly entertaining and a movie I recommend, Cruise would have preferred to have Salt in his filmography rather than Knight and Day. I believe he took Knight and Day because the role allowed him to be a quirky, jovial type of character and also because many might identify Salt as a Mission Impossible franchise movie.
Dark Country (2009)
Thomas Jane’s directorial debut leaves much to be desired. I enjoyed Dark Country more and more for the movie’s first two-thirds. However, the film loses me once it starts going from trying to be a believable mystery to an over-the-top parade of being there/done those moments. I can appreciate movies that force a character to go mad until he slowly reaches the depths of hell (Apocalypse Now, 1408, American Psycho, and, of course, The Shining). But if this is the result you aim for, you will need a first-time director to accomplish that. Dark Country could have gone in a dozen different directions. Unfortunately, for me, and probably for you, too, I was led on a path that left me dissatisfied.
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The Blob (1988)
I should have watched the original version of The Blob (1958 – Steve McQueen) before watching this version. It seems, to me, that if a movie is a remake, you have to see the original film first to see that movie. That is if you plan on watching either movie. At the same time, the original is often so much better than the remake that it might make you appreciate the newer version even less. And if you are a big fan of the movie, you might also go a step further and read the book (if the film was based upon a book). No matter how much we, at times, don’t want them to, Hollywood is going to keep remaking movies. Whether Hollywood is out of original ideas or they know that a newer version of a film is a fortune waiting to be happy, we don’t know. We understand that some remakes will be good, some will be bad, and some we will shake our heads and ask ourselves, “What were these movie studios thinking?”