Hamnet was the one film of the year that you expected to feel the most heartbreaking emotions from. It had all the elements, including glowing reviews from film festivals held months before its release. Though still relatively new to the director’s chair, Chloé Zhao has a penchant for directing a couple of super affecting movies in The Rider and Nomadland, for which she won her first Oscar. Add, perhaps, Hollywood’s next leading man in the already accomplished Paul Mescal (Aftersun, All of Us Strangers, Gladiator II) as William Shakespeare, and equally young and accomplished Jessie Buckley (The Lost Daughter, Beast, Chernobyl) as his wife, Agnes along with the tragic play Hamlet, and this had the formula for a film that would leave an entire audience sobbing by the ending credits. Unfortunately, Zhao never took us there in her tender, though underwhelming Hamnet, the true story of William and Agnes’s son, who inspired Hamlet, perhaps Shakespeare’s most recognized and revered play behind Romeo and Juliet.
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Springsteen: Deliver Me from Nowhere (2025)
Occasionally, poorly received biopics are victims of having all the necessary elements in place, except for a compelling story. One notable example is the 2009 film Invictus. Filmgoers had been clamoring for a biopic about Nelson Mandela. When Clint Eastwood signed on to direct a movie starring Morgan Freeman as Mandela, it seemed like a lock that the film would be, at the very least, a best picture candidate. Eastwood, with three Best Director Oscar nominations (Mystic River, Letters from Iwo Jima, Million Dollar Baby) over the previous half dozen years, was at the peak of his behind-the-camera career. Freeman, also at the height of his career, had been just about everybody’s favorite choice to play the South African anti-apartheid activist turned politician, whenever the right opportunity arose. And yet, we ended up with a movie that revolved around a rugby team attempting to qualify for the 1995 World Championship. Invictus wasn’t a bad movie. By many accounts, the film was a success. It earned positive scores with critics (75% fresh on Rotten Tomatoes, 7.3 on IMDB, 7.4 on Metacritic). While it failed to break even domestically (with just $38 million in revenue from a $60 million budget), it earned an additional $85 million internationally. While Freeman did earn an Oscar nomination for his portrayal, many of us wonder what could have been had the film centered on a more compelling story.
The same could be said of Scott Cooper’s (Hostiles, Out of the Furnace) Springsteen: Deliver Me from Nowhere, the 2025 Bruce Springsteen biopic. The film could have touched on a variety of aspects of Springsteen’s life. It chose to center on the time around his writing of his quiet, retrospective Nebraska album.
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The Long Walk (2025)
Sometimes it’s tough not to recommend a good movie. While there are exceptions to the rule, they are rare. Francis Lawrence’s (Red Sparrow, The Hunger Games: Mockingjay, Part 1) adaptation of Stephen King’s 1966 novel The Long Walk is one of those. I imagine his book wasn’t overly controversial when it was published, particularly given that media, such as novels, didn’t have the same reach they do now. Likewise, Stephen King was still a relative unknown. In fact, he wrote this novel under the pseudonym Richard Bachman. That is all to say that a work of fiction that dealt with something as dire as this story’s plot likely wouldn’t have seen the light of day. Nonetheless, once King earned the “King of Horror” nickname, his bloodthirsty fans would undoubtedly search for and find his earlier works.
The Smashing Machine (2025)
You’ll remember it for the acting. Dwayne Johnson (San Andreas, Fighting With My Family) and Emily Blunt (Sicario, A Quiet Place) deliver a pair of Oscar-worthy performances in Benny Safdie’s (Good Time, Uncut Gems) raw and unapologetic The Smashing Machine. Based on the true story of Mark Kerr, a mixed martial arts (MMA) fighter who entered the international Ultimate Fighting Championship (UFC) circuit in the late 1990s, The Smashing Machine chronicles Kerr’s first professional fight, his early success in Japan, his personal struggles with opioid addiction, and the ups and downs of a volcanic, often toxic relationship with his girlfriend, Dawn (Blunt).
Relay (2024)
How do you stay concealed in a world that makes it nearly impossible to do so? How can you safely hide your identity at all times when all it takes is a partial photo of your face for the wrong person to learn more about you than you could imagine that they could ever know? These are all-too-real questions tackled by Relay, director David Mackenzie’s (Hell or High Water, Outlaw King) taut thriller. In a day and age in Hollywood where you can be anything, a typical moviegoer’s wish is for a film just to be original. That is what Mackenzie brings with this subtle, yet intense, character-driven whistleblower thriller, while also delivering the best twist of the year, one that will invite us to reexamine the movie’s entire timeline long after our viewing is complete.